A sweet if somewhat old-fashioned memoir about a literary marriage. Bayley, author of the novel The Red Hat and a noted critic, met novelist and philosopher Dame Iris Murdoch (Jackson’s Dilemma, 1996, etc.) while he was teaching at Oxford’s St. Anthony’s College and instantly came under her sway. Though Murdoch was less quick to return his affection, she too fell in love after a delightfully disastrous date in which a well-advertised restaurant served them “nasty” food and Murdoch herself fell down some stairs on her way to the dance floor; these mishaps unearthed the couple’s deepest connection: a fine sense of humor, indeed, their joy in private jokes and laughs. In her time, Murdoch was a woman of unconventional intelligence and independence’she had a long string of lovers, did not want children, had an almost slovenly disregard for her appearance, and was in no hurry to get married, though she never seems to have doubted that Bayley should be the groom. Using flashbacks, Bayley lightens his accounts of Murdoch’s present disappearance into Alzheimer’s disease with happier memories of their long, comfortable life together, a life filled with trips, summer swims, and pleasure in books. Bayley clearly adores and admires his celebrated wife, and his care of her illness is a model of devotion. This unalloyed affection is refreshingly sweet, but too often his descriptions of Murdoch edge over into the saccharine—for him she is “Christ-like”—and the result is an unusual lack of insight into her abilities. Would the woman who never took any interest in children really have “looked after [her own child] better and more conscientiously than most mothers, and no doubt would have brought it up better, too”? Nonetheless, this seems an appropriate error for a loving husband to make, and the book’s intimate tone will surely please both his fans and hers. (6 b&w photos, not seen) (First serial to the New Yorker)
Pub Date: Jan. 25, 1999
ISBN: 0-312-19864-7
Page Count: 288
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1998
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
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