by John Bayley & edited by Leo Carey ‧ RELEASE DATE: March 1, 2005
Bayley is England’s Edmund Wilson, and reading him on reading others truly is an education.
A generous display of the indefatigable British critic’s wares: nearly 70 informed, eloquent, and endlessly stimulating book reviews and literary essays.
They’re grouped mostly by genre and nationality—and there are few fields of interest about which this ineffably generous uncommon reader doesn’t have something interesting to say. Rummaging through “English Literature,” he celebrates the productively “divided natures” of Dickens and Hardy, Trollope’s mastery of the quotidian, and the achievements of those “self-created” geniuses George Orwell and T.E. Lawrence. Perusing “The English Poets,” he notes Keats’s appropriation of “the Shakespearean spirit,” and gives overdue homage to Tennyson in a penetrating assessment keenly sensitive to the poet’s ingenuous impetuosity and very real greatness. “Mother Russia” gathers knowledgeable appreciations of Pushkin’s profound influence on the 19th-century novel, the unjustly neglected Ivan Bunin (whose “descriptive prose is alive in the same absolute sense as that of D.H. Lawrence”), and those indigenous, ultimately un-translatable great poets Anna Akhmatova and Marina Tsvetaeva. Bayley seems less astute on “American Poetry,” though he responds strongly to Whitman’s infectious ebullience, and memorably pinpoints the elusive John Ashbery’s poetic method as “romantic alchemy.” Few could match his comprehension of 20th-century writing “Out of Eastern Europe”—or have developed the rich variations he works on the observation that “so many European poets, who . . . [endured] the Second World War, have written in consequence a poetry of extreme simplicity and precision”—in revelatory analyses of Paul Celan, Zbigniew Herbert, and Czeslaw Milosz. Further brief pieces praise Stendhal’s salutary egoism, Angela Carter’s inventive feminism, the intellectual symbiosis shared by Henry and William James, and intellectual combat that kept Leo and Sophia Tolstoy together (and apart), and, in a fine ending essay, Gore Vidal’s brilliant memoir Palimpsest.
Bayley is England’s Edmund Wilson, and reading him on reading others truly is an education.Pub Date: March 1, 2005
ISBN: 0-393-05840-9
Page Count: 512
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2005
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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