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THE TROLLEY TO YESTERDAY

In his closest approach yet to self-parody, Bellairs sends an assortment of characters back in time for a series of surreal, hair-raising adventures. Behind a bricked-up door in his old house, Professor Childermass discovers a trolley that's been modified to travel in time. He concocts a harebrained scheme to go back 500 years and save Constantinople from the Turks; his two young friends, Johnny Dixon and Byron ("Fergie") Ferguson, find him out and invite themselves along. Amidst a confusion of Turkish, Greek, and Venetian soldiers, the three meet Aurelian Townsend—the trolley's modifier—and are variously chased, captured, wounded, and miraculously healed, saved by ghosts, and forced to take a pop quiz by a menacing magic Guardian ("Name the seven kings of Rome"); they also wend their way through tunnels and fly through the air. In the climactic scene, they temporarily save a crowd massed in Hagia Sofia when the professor's snide familiar, the Egyptian god Horus (also known as Bradley), frightens the Turks away with the apparition of a huge falcon singing "The Bear Went Over the Mountain." The companions finally return to the trolley and—after a brief side-trip to a spooky future—lurch safely back to their own time. Brace yourself for a wild, herky-jerky, tongue-in-cheek ride, not as gruesome as Eyes of the Killer Robot, but full of danger nonetheless.

Pub Date: April 15, 1989

ISBN: 1617563447

Page Count: 138

Publisher: Dial Books

Review Posted Online: April 17, 2012

Kirkus Reviews Issue: April 15, 1989

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TALES FOR VERY PICKY EATERS

Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)

Pub Date: May 1, 2011

ISBN: 978-0-547-14956-1

Page Count: 48

Publisher: Clarion Books

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: April 1, 2011

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CINDERELLA

From the Once Upon a World series

A nice but not requisite purchase.

A retelling of the classic fairy tale in board-book format and with a Mexican setting.

Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.

A nice but not requisite purchase. (Board book/fairy tale. 3-5)

Pub Date: Sept. 13, 2016

ISBN: 978-1-4814-7915-8

Page Count: 24

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Oct. 11, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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