This book’s strong, sometimes-insightful focus on its protagonist makes it a definite improvement on the author’s prior...
Benacre’s (Easter, Smoke and Mirrors, 2014) short story collection trails an Irishman who’s been training most of his life to carry out a planned terrorist strike in London.
In the author’s previous novel, Michael McCann was an Irish Republican Army Cleanskin (akin to a sleeper terrorist with no criminal background) stationed in London to help launch a bombing on Easter Friday. This collection of chronological stories, starting in 1968, follows his life from his birth to the 2016 attack. Provisional IRA leader Frank O’Neill courts 15-year-old Michael for the cause, eventually sending him to Libya and later to Afghanistan to train as a soldier. Frank keeps Michael “under wraps” until the IRA makes plans for an assault on such a grand scale that they believe it will finally unite Ireland. The stories here are comparable to chapters in a novel; the tale of Michael in Afghanistan fighting with the mujahedeen against the Russians, for instance, is comprised of four stories that make up a single narrative. As a result, readers will likely want to read the stories sequentially, like a novel (as the author recommends), to subvert potential confusion. Some of them, including the one-page “Murder by Suicide,” could have been amalgamated with others to avoid repetitiveness. Michael is generally a cold character—a calculated killer who avoids genuine relationships with the women he chooses to bed. But a series of first-person accounts of Michael’s childhood generate sympathy and showcase Benacre’s knack for description. “A Picture to Keep” is a standout: 4-year-old Michael explores a bomb’s devastating aftermath, frantically searching for his mother and siblings; its simple passages (“I was bleeding from somewhere, from everywhere it seemed”) offer dynamic, harrowing imagery. The book’s historical backdrop, too, is first-rate; Michael’s life, for example, is affected by the ongoing Troubles, the war in Afghanistan, and even 9/11, ultimately leading to the Provisional IRA’s disarmament and Frank’s forming a resurgent version of the terrorist group. A later story, “Morning Tea,” zeroes in on Patricia Whelan, another Cleanskin, who will hopefully have a collection (or novel) of her own.
This book’s strong, sometimes-insightful focus on its protagonist makes it a definite improvement on the author’s prior outing.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: N/A
Review Posted Online: July 20, 2015
Kirkus Reviews Issue: Sept. 1, 2015
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A thoughtful and pensive tale with intelligent characters and a satisfying romance.
A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.
Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.
A thoughtful and pensive tale with intelligent characters and a satisfying romance.Pub Date: Feb. 26, 2019
ISBN: 978-1-64063-533-3
Page Count: 432
Publisher: Entangled: Amara
Review Posted Online: Jan. 2, 2019
Kirkus Reviews Issue: Feb. 15, 2019
Review Program: Kirkus Indie
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