An IRA protagonist perhaps too smart for his pursuers, but the recurring character is always entertaining.
The failure of a resurgent Irish Republican Army–planned bombing in 2016 London puts an Irishman on the run from both MI5 and his boss in Benacre’s (McCann, 2015, etc.) thriller.
A bomb threat tips off MI5 with specific details: a sophisticated device lies in a central London skyscraper. Intelligence officers, including Neill McCormac, surmise it was planted by Michael McCann, already a suspected covert IRA member, a Cleanskin. MI5 manages to locate the nuclear bomb and successfully disarm it before its Easter Friday denotation time. By then, McCann’s over 100 miles away, unaware that IRA surveillance and a clandestine Patricia Whelan have eyes on him. But once McCann realizes nothing exploded in London, he’s on the lam, knowing IRA leader Frank O’Neill’s Middle Eastern terrorist pals will target him for assassination. He goes deep undercover as Russian sailor Yury Borzov while accomplice/warlord Ruslan Barayev ducks out in Amsterdam. There’s a danger, of course, of MI5 tracking down Barayev, having found Mia Dawkin, an escort McCann saw back in ’03 and ’08. Agents themselves are understandably nervous that someone’s got a second nuclear bomb somewhere. Mass killings within an unstable IRA, meanwhile, signal a possible clean slate for McCann—provided he’s not on the hit list, too. The novel opens full tilt, the plans for the bombing a main plot in an earlier McCann book. McCann, as in preceding stories, is delectably complex, easy to cheer on as he skillfully adapts to his Yury persona despite readers’ knowledge that his device would likely have killed countless Londoners. But while it’s fascinating to watch the protagonist incognito, as well as the fallout his actions have for others in his life, it doesn’t afford much suspense. McCann is so good at hiding that he rarely seems to be at any risk and, sure enough, later becomes more invested in having sex with girlfriend Bonnie’s closer-in-age mom, Pat Munro. Regardless, the perspective of MI5 retains a lively narrative, especially its methods— using a keystroke signature like a fingerprint—and collective resolve, periodic talks with Mia evolving into “monthly luncheons.”
An IRA protagonist perhaps too smart for his pursuers, but the recurring character is always entertaining.Pub Date: March 6, 2016
ISBN: N/A
Page Count: 466
Publisher: CreateSpace
Review Posted Online: April 20, 2016
Review Program: Kirkus Indie
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
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