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ACT OF MURDER

From the A Doc Brady Mystery series , Vol. 1

An engrossing and satisfying mystery with a humble Texas physician/sleuth at its heart.

The death of a child shocks a tightly knit community and sparks an intense homicide investigation in this series opener.

Veteran Houston physician and debut author Bishop kicks off a medical thriller series featuring Texas family man and orthopedic surgeon Jim Bob “Doc” Brady. It’s the spring of 1994, and Brady hears a “sickening thud” and the screeching of tires behind his house in what is typically a peaceful neighborhood. He discovers 10-year-old Stevie Huntley, a neighbor’s son, crushed in the street, the victim of a hit-and-run driver. Immediately labeled a vehicular homicide, the case is assigned to local detective Susan Beeson. Without leads, Beeson leans on the Brady family for discreet assistance and insider information on the neighborhood. His conversations reveal that Stevie had a bone fragility disease and raise the suspicion that the homicide was premeditated. And when medical colleague T. Edmund “Ed” Wilson begins acting with uncharacteristic aggression, Brady fears something more nefarious is afloat. Shaken but unbroken by the tragedy, the resilient Doc Brady aims to help police solve a crime that, as things progress, involves genetics, adoptions, and the extended Huntley family along with some heinously dishonorable intentions. Bishop never lets genetic jargon overwhelm the story’s momentum as more suspicious deaths occur and the race to bring the perpetrators to justice becomes everyone’s top priority. Greed—not surprisingly—figures into the plot. Though the action ignites from the opening pages, Bishop incrementally introduces his characters, including Brady’s computer-savvy son, J.J., and the doctor’s wife, Mary Louise, with whom he shares a playful intimacy. Brady is a naturally warmhearted first-person narrator, describing events with urgency while incorporating homespun nuances and clever banter. With a marked absence of gore, graphic violence, or offensive language, this novel gives readers an intriguing puzzle to solve yet not an overly complicated one, opening his readership to a young adult audience as well.

An engrossing and satisfying mystery with a humble Texas physician/sleuth at its heart.

Pub Date: March 24, 2020

ISBN: 978-1-73425-110-4

Page Count: 280

Publisher: Mantid Press

Review Posted Online: May 5, 2020

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

Awards & Accolades

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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BEAUTIFUL UGLY

“Nasty little fellows…always get their comeuppance,” a movie character once said. Deeply satisfying.

Following the mysterious disappearance of his wife, a struggling London novelist journeys to a remote Scottish island to try to get his mojo back—but all, of course, is not what it seems.

Grady Green hits the pinnacle of his publishing career on the same night that his life goes off the rails—first his book lands on the New York Times bestseller list, and then his wife, Abby, goes missing on her way home. A year later, Grady is a mere shadow of his former self: out of money and out of ideas. So, when his agent, Abby’s godmother, suggests that he spend some time on the Isle of Amberly, in a log cabin left to her by one of her writers, it seems as good a plan as any. With free housing for himself and his dog and a beautiful, distraction-free environment, maybe he can finally complete the next novel. But from the very beginning, Grady’s experiences with Amberly seem weird, if not downright ominous: As a visitor, he’s not allowed to bring his car onto the island; the local businesses are only open for a few hours at a time; and there are no birds. At all. Not to mention the skeletal hand he finds buried under the floorboards of the cabin, the creepy harmonica music in the woods, and the occasional sighting of a woman in a red coat who’s a dead ringer for Abby. As Grady falls deeper and deeper into insomnia and alcoholism, he begins to realize his being on the island is no accident—and that should make him very afraid. Through occasional chapters from before Abby’s disappearance, told from her point of view, we learn that Grady is not necessarily a reliable narrator, and the book’s slow unfolding of dread, mystery, and then truth is both creative and well-paced. Every chapter heading is an oxymoron, like the title, reminding us of the contradictions at the heart of every story.

“Nasty little fellows…always get their comeuppance,” a movie character once said. Deeply satisfying.

Pub Date: Jan. 14, 2025

ISBN: 9781250337788

Page Count: 320

Publisher: Flatiron Books

Review Posted Online: Oct. 10, 2024

Kirkus Reviews Issue: Nov. 15, 2024

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