A pleasure for thoughtful fans of Old West history, revisionist without being iconoclastic.
A ripsnortin’ ramble across the bloodstained Arizona desert with Wyatt Earp and company.
Wyatt Earp, Doc Holliday, and the like may be best known for the famous shootout at the O.K. Corral in Tombstone, but, as trial lawyer and popular historian Boessenecker ably shows, that was but one episode in a drama with many moving parts. Some of it traces back to points east, where ruffians known as “Cowboys”—not at all an admiring term in those days, “synonymous with desperado, bandit, and cutthroat”—robbed and murdered with abandon. The presiding genius of one band was an Irish New Englander who joined the Army and found frontier New Mexico a congenial place to conduct his nefarious business, including cattle rustling, horse thievery, and other affronts to public order. The story of Billy the Kid figures in this history, as does that of Earp paterfamilias Nicholas, hard-drinking, opinionated, and sometimes in trouble with the law. Indeed, at points in this narrative, readers may need a score card to keep track of which side of the law Wyatt and company were on at any given time. By the time they went to war with a Cowboy named Curly Bill Brocius, they were vigilantes who themselves would be in trouble with the authorities, Wyatt having gunned down a quarry on the streets of Tucson without much regard for the niceties of a fair warning. Throughout, Boessenecker displays a fine eye for period detail: He notes that much Old West violence had a political dimension that makes our time look tranquil by comparison. It was made all the nastier by the “entertainment vacuum” that existed on a frontier without much to do except drink and brawl. Charges that the Earps took part in dark-side activities such as gambling “were inflammatory but true,” writes the author, good reason to stay a step ahead of the law and get out of Tombstone after the shooting stopped.
A pleasure for thoughtful fans of Old West history, revisionist without being iconoclastic.Pub Date: April 7, 2020
ISBN: 978-1-335-01585-3
Page Count: 352
Publisher: Hanover Square Press
Review Posted Online: Jan. 11, 2020
Kirkus Reviews Issue: Feb. 1, 2020
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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