by John Boessenecker ‧ RELEASE DATE: Nov. 2, 2021
A brisk rendering of an adventuresome life.
Daring gambits in the Wild West.
Boessenecker, a historian of the Western frontier who has written about a host of pioneer outlaws, cuts through myths and misinformation to offer a colorful, well-researched biography of Canadian-born Lillie Naomi Davy (1871-1935), who became legendary as the tough-talking, gender-defying bandit Pearl Hart. Escaping an abusive, drunken father, Lillie, age 13, and her 11-year-old sister, Katy, cut their hair, donned their brother’s clothes, and ran away from home—only to return to their violently dysfunctional family and run away time and again. In the next few years, the sisters became involved with men who turned out to be criminals and, not surprisingly, abused them. Throughout her teens, Lillie was in and out of reformatories and prisons, but she and Katy were incorrigible. In Buffalo, where a madam who called herself Pearl Hart had committed suicide, 16-year-old Katy established her own bordello, taking the name of Minnie Hart. Lillie became a prostitute, plying her trade in Buffalo; Toledo, Ohio; Trinidad, Colorado, “a hotbed of prostitution”; and Phoenix, Arizona, where she, too, took a new name: Pearl Hart. Boessenecker recounts in lively detail the sisters’ amorous entanglements—Lillie, at 15, got involved with a 36-year-old bigamist and later eloped with an opium-addicted piano player who, she claimed, introduced her to the habit—and their repeated arrests, as well as the crimes perpetrated by some of their many siblings. The centerpiece of the story, though, is the bold stagecoach robbery that Pearl pulled off with the help of a lover. Needing money to travel to see her mother—her “dearest, truest friend,” she said—whom she thought was dying, Pearl saw robbery as her only choice. Conviction, imprisonment, escape, and recapture ended in a five-year sentence in Yuma penitentiary. After release on early parole, the woman celebrated in newspapers and magazines as a glamorous outlaw, “uniformly noted [for] her physical attractiveness,” retreated into quiet comfort.
A brisk rendering of an adventuresome life.Pub Date: Nov. 2, 2021
ISBN: 978-1-335-47139-0
Page Count: 352
Publisher: Hanover Square Press
Review Posted Online: Aug. 27, 2021
Kirkus Reviews Issue: Sept. 15, 2021
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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