PENALTIES OF JUNE

An old debt threatens to upend a young ex-con's efforts to start his life over again.

"Nobody's even," aging crime boss Arthur Bonne tells the kid standing in his office. "There's guys I help and guys I hurt. You fall in that first bunch. I'm asking you to do something for me, and if you do it right and don't perform a full wop opera in my office, I won't ask you to do nothing else." The kid is Pratt Zimmer; he's just 25, but he's lived and lost enough to know better than to believe Bonne will ever leave him alone. Pratt's fresh from a three-year jail stint for his part in a botched car theft that set Bonne back $250,000, and now Bonne expects more from him than just jail time to make them square again. Added to the money debt is an emotional one: Bonne partly blames Pratt for the death of his son, Matty, even though Pratt was behind bars by the time his childhood friend's indulgence in too many drugs got the better of him. "It could only be punishment," Pratt realizes about the job. "That was the only thing that made sense. Forced penance for Matty." In this novel and his others—especially Arkansas (2008) and Citrus County (2010)—Brandon explores the difficult circumstances surrounding desperate characters in humid, forgotten corners of the Southeast. Here, he's crafted a compelling thriller set around Tampa in the 1990s as a young ex-con struggles to start his life over, even though the deck is stacked against him. It's not just the job Bonne tells him to finish by the end of June—kill an accountant who's stealing from Bonne—that's the problem. Pratt's still grieving the loss of his parents in a boating accident, coping with the guilt he partly accepts for not doing more to protect Matty from himself, and nursing a smoldering love for Kallie, Matty's ex. He's also facing a string of lowlife thugs, drug dealers, and a dirty cop as he tries to figure out how not to kill the accountant and still free himself from Bonne's debt. Brandon keeps the story moving at a brisk pace, and his choice of a 1990s setting is especially interesting: It reminds readers how different—and how difficult—things like a stakeout were in a cellphone-free, GPS-less world.

Brandon proves that even an impossible situation with only one outcome can suddenly yield an unexpected solution.