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HIGHWIRE

Name: HIGHWIRE
Author: John Brummett
ISBN: 0-7868-6046-4

FROM THE BACKROADS TO THE BELTWAY--THE EDUCATION OF BILL CLINTON

by John Brummett ‧ RELEASE DATE: Nov. 8, 1994

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An assessment of the first year of Bill Clinton's presidency with no major scoops but with long-term insight into Clinton's style and character. Brummett, a veteran Arkansas journalist and columnist for the Arkansas Democrat Gazette, here competes not so much with fellow Arkansas reporter Meredith Oakley (On the Make, p. 614), who exhaustively portrays Clinton's gubernatorial reign, but with ur- investigator Bob Woodward (The Agenda, not reviewed). Though he can't claim Woodward's access or propound verbatim conversations, Brummett did move to Washington and spoke to Clinton, former chief of staff Mack McLarty, and other White House officials. ``Bill Clinton is a man of awesome talent and troubling personal weaknesses,'' Brummett declares at the outset, and his account of Clinton's major efforts and crises bears that out. He grounds Clinton's cautious liberalism and winning personal style in home- state politics and shows how Clinton thrives extemporaneously and dies by TelePrompTer. America needed either ``a great moral leader or a clever policy synthesizer,'' the author argues, and Clinton is the latter, as shown in his budget plan. Brummett's treatments of missteps like the Waco disaster and the White House travel-office scandal add little new. He finds himself sympathetic to Clinton— ``a victim of his own optimism''—regarding his withdrawal of the Lani Guinier nomination. Brummett is more pointed on the suicide of White House chief deputy counsel Vincent Foster: He discounts talk of a scandalous cover-up but argues that any veteran of Arkansas politics should have been prepared for Washington nastiness. While his defense of Clinton's foreign policy performance is weak—he blames subordinates—Brummett notes credibly that Whitewater pales in comparison to previous executive-branch violations of the public interest like Iran-contra. Ultimately, Brummett is optimistic that Clinton will grow into the job—or, if defeated in 1996, return ``Ö la Nixon for us to kick around some more.'' Weaker on policy than politics, but with nuance and psychological truth.

Pub Date: Nov. 8, 1994

ISBN: 0-7868-6046-4

Page Count: 256

Publisher: Hyperion

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1994

Categories:

GENERAL NONFICTION

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.