adapted by John Cech & illustrated by Sharon McGinley-Nally ‧ RELEASE DATE: Sept. 30, 1992
A richly illustrated and gracefully narrated version of a Russian tale, ``The Snow Maiden'': A snowbaby made by a childless woodsman comes to life and delights him and his wife all winter; then, coming too near a spring bonfire, ``Snowflake'' vanishes. Journeying to the north, the grieving couple begs Grandfather Frost to return their missing child and, moved by their love, he allows her to come back with the first snowfall. The vibrant illustrations, in shades of blue and violet with touches of gold and red, recall Russian folk art in their decorative motifs. A single panel may suggest different locations, the passage of time, or the stages of a journey; there are delicate borders—guardian angels with snowflake-framed faces in gorgeously patterned costumes, woodland details, and much more. More elaborate than Croll's The Little Snowgirl (1989), and for a slightly older audience. (Folklore/Picture book. 7-10)
Pub Date: Sept. 30, 1992
ISBN: 0-02-717971-0
Page Count: 40
Publisher: Four Winds/MacMillan
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1992
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by E.T.A. Hoffman and adapted by John Cech & illustrated by Éric Puybaret
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adapted by John Cech & illustrated by Martin Jarrie
by Meredith Hooper & illustrated by Bee Willey ‧ RELEASE DATE: June 1, 2000
Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)
Pub Date: June 1, 2000
ISBN: 0-7636-0792-4
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2000
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by Meredith Hooper & illustrated by Stephen Biesty
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by Patricia Polacco & illustrated by Patricia Polacco ‧ RELEASE DATE: July 1, 2010
Trisha is ready to start at a new school, where no one will know she has dyslexia. At first, she is heartbroken to be in Miss Peterson’s special-ed class, aka, “the junkyard.” But Miss Peterson treats the children as anything but junk, showing them that everyone has a unique talent. Polacco’s trademark style is fully present here; her sensitively drawn alter ego shines with depth of feeling. When bullying occurs, Miss Peterson proves her students are worthwhile by planning a junkyard field trip, where they find valuable objects to be used in exciting ways. Trisha’s group repairs a plane, and the class buys an engine for it. Then a beloved class member dies, and the children must find a way to honor him. While the plot meanders somewhat, the characters are appealing, believable and provide a fine portrayal of a truly special class. Children will be drawn in by the story’s warmth and gentle humor and will leave with a spark of inspiration, an appreciation of individual differences and a firm anti-bullying message, all underscored by the author’s note that concludes the book. (Picture book. 7-10)
Pub Date: July 1, 2010
ISBN: 978-0-399-25078-1
Page Count: 48
Publisher: Philomel
Review Posted Online: May 31, 2010
Kirkus Reviews Issue: June 15, 2010
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