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THE WAPSHOT CHRONICLE

In a patchwork of family life is the pattern of Captain Leander's belief in the "unobserved ceremoniousness" of life which is a "gesture and sacrament toward the excellence and continuousness of things" and through parts of his diary, episodes in St. Botolph's, at the Wapshots' West Farm (on the New England coast), and in the gropings of his sons, Moses and Coverly, the lineage and heritage come through. Come through from an undated Independence Day to Leander's death after both the boys have left home because of Cousin Honora's financial blackmailing; after Leander has lost, regained and lost again the ferry-boat which was his reason for living; after the daughter — who was not his — of an earlier marriage- has tried to claim him; after his wife has converted the ferryboat into a fussy tearoom and gifte shoppe. Through the years Moses has been dismissed from a Washington top secret job, Coverly has become a part of rocket launching as a Taper and been deserted by his wife, and Moses' marriage to the ward of a distant, wealthy, unpredictable, vengeful widowed cousin has had time to turn from bad and then to good when the old harridan's ramparts burn, and the boys make good with sons to claim Honora's promised inheritance. And since the financial security is based on Wapshot virility, the Wapshots have their interest in women from a basically sexual approach; and since their father believes in the romance and nonsense, the joy and the cockiness of living, theirs is an uncharted course — for Coverly almost turning to homosexuality and Moses trying to maintain some balance in a household of financial dependents. The interludes of Leander's diary and of Honora's disturbances have a tart sting and the whole offers candor and a loving care for men and their concerns in a world tyrannized by women. A rowdy, bawdy, feeling, root-sensed New England gallery, this has its high — and not quite so high — moments for an audience which may suffer shock but never shame. Watch the critics.

Pub Date: June 15, 1957

ISBN: 0060528877

Page Count: 372

Publisher: HarperCollins

Review Posted Online: Sept. 20, 2011

Kirkus Reviews Issue: June 15, 1957

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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