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THE WORLD OF APPLES

It would be hard to think of a more casual or disarming writer than John Cheerer whose stories — this is his first collection in nine years — begin with those marvelously underhanded first lines: "The subject today will be the metaphysics of obesity, and I am the belly of a man named Lawrence Farnsworth" or "Reminiscence, along with the cheese boards and ugly pottery sometimes given to brides, seems to have a manifest destiny with the sea." Thus one is launched into a world of myth or illusion or just suburban conformity — there's a new St. Botolphs story where people are once again living "with composure, lives of grueling boredom" — sometimes interrupted by a rogue impulse ("Mr. X. defecated in his wife's top drawer" — or the Cabot daughter who ran away with her mother's ugly seven diamond rings "as glamorous as a passbook"). There's no demonic horror on the lawn or anywhere else this time but another kind of contemporary disfigurement in "Mene, Mene, Tekl, Upharsin." And the title story is about a famous expatriate Nobel prize poet overcome in his old age by an unseemly lewdness. Be it admitted that none of these stories have the memorability (dreadful, debased, unavoidable word) of Cheerer's country husband or his cross-country swimmer but . . . but me no buts. . . all those pleasurable constants are there the bitter lemon nostalgia, the affectionate and truly moral concern, and above all that skewed element of surprise which makes the Cheerer story a rara avis — a bird that can fly on one wing if necessary.

Pub Date: May 1, 1973

ISBN: 0736608265

Page Count: -

Publisher: Knopf

Review Posted Online: Sept. 20, 2011

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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