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EMPTY WORLD

The disaffection Nell develops after his parents and siblings are killed in a car crash probably helps him through the next disaster, as his grandparents and then, it seems, everyone in the world is killed off by a plague that first hits the aged and then works down. Nell experiences the one-day fever but somehow escapes the hideous second stage, a swift premature aging process; from then on he goes methodically about the business of survival, finally tracking down two girls—gentle, passive Lucy with whom he comes to a romantic understanding, and hostile Billie, her companion, who bitterly resents his homing in. Christopher is well known for his post-Disaster science fantasies, but this totally credible adventure, set in a very immediate future, requires no imaginative reorientation. Most impressively, Christopher repeatedly confounds one's expectations of an easy out. The plagueorphaned children whom Nell takes in early on, and who seem destined to break through his protective numbness, age and die before his eyes; the other survivor, probably around his own age, who sends out his address by balloon, turns out to have hanged himself shortly before Nell's arrival—a real jolt, this, but one that shocks Nell into seeking others; and when Billie at last lures him away and tries to kill him, Nell and Lucy pass up the chance to get off on their own, instead taking her back into their lives despite the likely risk and certain aggravation. Of Nell's experiences and encounters only the acquiescent Lucy seems the figment of an adolescent male (and pretty weak) imagination; the rest is compellingly chilly, and real as tomorrow's breakfast.

Pub Date: March 20, 1978

ISBN: 0140373888

Page Count: 134

Publisher: Dutton

Review Posted Online: April 18, 2012

Kirkus Reviews Issue: March 1, 1978

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TALES FOR VERY PICKY EATERS

Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)

Pub Date: May 1, 2011

ISBN: 978-0-547-14956-1

Page Count: 48

Publisher: Clarion Books

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: April 1, 2011

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CINDERELLA

From the Once Upon a World series

A nice but not requisite purchase.

A retelling of the classic fairy tale in board-book format and with a Mexican setting.

Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.

A nice but not requisite purchase. (Board book/fairy tale. 3-5)

Pub Date: Sept. 13, 2016

ISBN: 978-1-4814-7915-8

Page Count: 24

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Oct. 11, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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