Who wins? Find out for yourself, and be dazzled along the way as, thanks to the indefatigable Clarke, you also brush up on...
Australian Clarke’s first US publication is a genius-touched tour de farce that imagines the 20th-century’s intellectual giants competing in the biggest tennis tournament ever held.
The contest, in Paris, goes on for 36 days, one chapter per each, with amusements major and minor abounding from the start. Here are some arrivals, for example: “Buster Keaton was catapulted in from Belgium, Escher arrived through the departure lounge, Dali came by overnight post and Alice Toklas sent herself as an attachment. Einstein said he had come by tram. ‘But there is no tram to Paris,’ corrected George Plimpton . . . . ‘That might account for the time lapse,’ Einstein explained.” And so it goes, for 35 more days, in a wondrously comic tumult of personalities, anachronisms, jokes—and, of course, tennis. The sportswriter’s tone is just-right irreverent—as when “Bertie Russell” plays “the Spockster” (that’s the doctor), or James Joyce goes against “SuperTom” Eliot. Clarke’s one-liners can be sharp as SuperTom’s aces: “Not bad,” says Virginia Stephen-Woolf, “But it would be nice to get a boom of one’s own”; “I was lucky,” says Beckett; “ ‘Marlene [Dietrich] looked great today,’ said Pavlova. ‘I was lucky to get on top of her.’ ” All is not jocular, though. Paul Robeson leaves his country; Rosa Luxemburg is murdered; “Amelia Earhart is also missing”; “Bessie Smith never made it to the hospital”; and Anna Akhmatova “disappeared from the circuit.” Still, amid the century’s tragedies, humor persists, some of it biographic and scientific (“Wodehouse and Isherwood have departed for the US. Einstein left yesterday, last night and again this morning”), tons of it literary (“Eliot was now cautioned for banging his raquet on the ground and yelling ‘Jug, jug, jug, fucking juuuuuugggggg!”), with author Clarke even showing his own stuff in some wonderfully sensitive parodies of the styles of the greats.
Who wins? Find out for yourself, and be dazzled along the way as, thanks to the indefatigable Clarke, you also brush up on last century’s intellectual history.Pub Date: Sept. 10, 2003
ISBN: 1-4013-0092-8
Page Count: 288
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2003
BOOK REVIEW
BOOK REVIEW
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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