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GLASSES, WALLET, KEYS

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Varied, engaging, and skillfully written tales.

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A brief collection of five short stories explores universal themes from a variety of perspectives.

Williams’ debut book opens with the title tale, in which a man deals with life at home with his geriatric dog in the early days of the pandemic. In “Uncle Duck,” a fraught relationship between uncle and nephew becomes more complicated with a bathroom renovation. “Ludmilla This, Ludmilla That” tells of a New Yorker’s sequentially unsuccessful attempts at romance. “Bunny” jumps back to the early days of the Great Depression as a woman tries to ensure that her sister’s death is treated respectfully, at least by the local newspaper. The final work, “The Guru Had an Off Night,” returns to the present as a father and son suffer through a tedious sales pitch with appropriate skepticism. The five stories are varied in topic and style, and they demonstrate an appreciable versatility; for example, Williams experiments with a choppy, commandlike prose in the opening tale: “Stop & Shop. Short line out front. Social distance. Grim faces. Mask up, eyes down.” Other stories offer more traditional narratives and delve into familiar themes, such as masculinity, family, and connection, from different angles (“I was more comfortable as the father of a little boy than of a teenager, even less so now of a young man,” the narrator of “The Guru Had an Off Night” muses), offering thought-provoking and challenging interpretations of human beings’ responsibilities toward one another. Manhattanites and those from other parts of New York state will particularly appreciate the precision of most stories’ carefully developed settings, which are full of subtle, realistic details. Some characters are less engaging than others—in particular, the protagonist of “Ludmilla” grows tedious with his expectations of reciprocated affections—but most are compelling and multilayered, offering readers plenty to ponder.

Varied, engaging, and skillfully written tales.

Pub Date: March 31, 2023

ISBN: 9781667880914

Page Count: 90

Publisher: BookBaby

Review Posted Online: March 22, 2023

Kirkus Reviews Issue: May 15, 2023

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PARTITA

Brilliant, affecting work from one of contemporary literature’s masters.

A phone call from her past disrupts the tenuously reconstructed life of a concert pianist turned farmer’s wife.

We know from the beginning that Livia Cable is the battered survivor of her brother Cyrus’ death by suicide, a devastating romance, and a career-ending injury. Only 11 when Cyrus stepped in front of a train, she was already marked out as different in her rural Tennessee hometown by her extraordinary musical ability. The siblings had huddled together against their angry mother’s frequent beatings, and Livia still feels abandoned by Cyrus years later, when she picks up the phone to hear the voice of Sigurd, the fiery labor organizer she loved and lost to “the revolution” while on scholarship at the Indiana University School of Music. Now married to kind, steady childhood friend Charlie, Livia looks back on her affair with Sigurd as she struggles to deal with the recent death of her mother, a compulsive hoarder who left a house stuffed with junk to be disposed of and bitter memories that haven’t faded over time. Kingsolver skillfully juggles the two time frames to unravel Livia’s complicated feelings about the life she lost when her right hand was crushed and the life she has now as a country piano teacher. A partita, she explains to Sigurd early on, “is a composition made of a lot of parts with a lot of different moods…the artist’s work is to make them all add up to something that feels whole.” That’s precisely what Kingsolver does in this beautifully paced and judged narrative, which builds to revelations uncovered amid the piles of trash in Livia’s childhood home about the reasons for Cyrus’ suicide (clearly foreshadowed) and their mother’s rage (startling and heartbreaking). A fierce belief that great art is for everyone joins Kingsolver’s familiar preoccupations with class distinctions, social injustice, and the complex bonds of family and community in a tender denouement.

Brilliant, affecting work from one of contemporary literature’s masters.

Pub Date: Oct. 6, 2026

ISBN: 9780063577541

Page Count: 352

Publisher: Harper/HarperCollins

Review Posted Online: July 6, 2026

Kirkus Reviews Issue: Aug. 1, 2026

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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