A complicated plot, richly drawn characters, and a vein of horror will keep readers devouring the pages.
Private detective Charlie Parker faces a pair of otherworldly foes in a crime novel packed with colorful characters.
In the Maine woods, rain exposes the body of a woman buried in a shallow grave. An autopsy reveals she had given birth a day or two before her death, but whether she was murdered or not is unclear. There is no sign of the child’s body, and a Star of David has been carved on a nearby tree. Meanwhile, 5-year-old Daniel Weaver lives with his mother, Holly—she is “blond,” he is “ebony.” She tells him a story of The Woman in the Woods, “spirited away by an ogre.” Daniel’s toy phone rings throughout the book, and he hears the voice of a strange woman. And in Cadillac, Indiana, an Englishman named Quayle inquires about a pregnant “mongrel [bitch]” named Karis Lamb who had passed through town. Quayle, who might be “the devil himself,” has one purpose on Earth: “to locate a single book, and enable it to do its work.” It’s the Fractured Atlas, which he expects will change the world, replacing the “Old God” with “Not-Gods.” Not knowing Karis’ fate, he tracks down and kills those protecting her because she may know the book’s whereabouts. His delightfully disgusting companion, Pallida Mors, has “the skin of a drowning victim, and the eyes of a doll.” Attorney Moxie Castin, who calls himself "Jewish-ish," hires private detective Parker to find Karis' child, "because I want to believe that child is alive." But Parker faces frightful foes. Every character is expertly drawn—Parker’s friends Louis and Angel are a pair of gay criminals, and Louis, who is black, blows up a Chevy truck that was flying Confederate flags. The owner, Billy Ocean, learned from his daddy not to use racial slurs, but he really hates “Negroes.” Quayle hates everybody, and his racism is just a part of his overall rottenness. There’s also a group of rich people called the Backers, who ages ago sold out to dark, arcane forces. Some of them think Parker is “partly divine” because he’s survived so many attacks.
A complicated plot, richly drawn characters, and a vein of horror will keep readers devouring the pages.Pub Date: June 12, 2018
ISBN: 978-1-5011-7192-5
Page Count: 496
Publisher: Atria
Review Posted Online: March 19, 2018
Kirkus Reviews Issue: April 1, 2018
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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