Pleasant reading for golfers, slim pickings for everyone else.
There’s a doomed romance and a life-lesson for a teenager in Coyne’s ninth novel, but the game’s the thing, with a hole-by-hole analysis of two rounds of golf.
It’s the summer of 1946, and 14-year-old Jack Handley is feeling lost. His father was killed late in World War II, and his mother has lost the will to live. The two reside on a small dairy farm outside Chicago, with Jack’s big sister. Jack is a first-rate caddie at the nearby golf club, where the assistant pro, charming, happy-go-lucky 20-year-old Matt Richardson, is like his big brother. Matt is beginning a romance with Sarah DuPree, daughter of the club president, who does not consider the hired help to be eligible in-law material, so Matt passes messages to Sarah through Jack, his go-between. In an awkward frame device, an elderly Jack returns to the club years later to talk about his book on Ben Hogan and that summer of ’46. At the time, Hogan burned as bright as Tiger Woods does today, so it’s a big thrill for Jack when Hogan lets him caddie for him during a practice round. The last nine holes Hogan plays against Matt. (Thanks to the transparency of the author’s prose, even a non-golfer who wouldn’t know a birdie from a bogey will catch his drift, though the detail can be overwhelming.) The second game to be dissected is the first round of the Chicago Open, for which boy-wonder Matt has qualified. There had been some question whether Jack would caddie for Hogan or Matt, but Hogan the guru teaches Jack about loyalty and responsibility; no question, he must caddie for Matt, who will be the surprise winner, setting the course record. He won’t win his girl, though. Sarah’s father foils their planned elopement and there’s a fatal accident and perfunctory wrap-up, in stark contrast to the leisurely description of the games.
Pleasant reading for golfers, slim pickings for everyone else.Pub Date: May 8, 2006
ISBN: 0-312-35523-8
Page Count: 288
Publisher: Dunne/St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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