Nesbitt (Across the Cheyenne River, 2014, etc.) spins a leisurely sagebrush romance with the mystery crowded into the...
A suspiciously low cattle count is the least of the problems for Lawrence Elwood and his fellow cowpunchers—or, as they may well be, rustlers—at the Crown Butte Ranch.
Elwood likes to keep things simple: the sun warm overhead, the breeze cool on his face, the cry of a whippoorwill for entertainment. But complications keep arising. Someone just might be stealing cattle from Crown Butte owner Rand Sullivan’s herd—someone like Crown Butte hands George Crandall and Paul Beckwith. Jim Farley, the loudmouthed stranger who insists on buying drinks for his companions at the Northern Star Saloon, just might be bank robber Jude Ostrander. Mac Driggs and Gus Haden, a pair of cowpunchers fired from the Top Rail, have signed on with Tad Jennings, the new owner of the Drumm Ranch, whose sidekick, Josh Armitage, seems even less trustworthy than his boss. Independent ranch hand Angell Gunn seems awfully quick on the trigger if he thinks you’re following him or if you get ahead of him on the trail. And Elwood could always wonder, if he were so inclined, why D.W. Stanley hanged himself soon after walking into town—or whether he had help. The big question, however, is whether Josephine Newton, who’s fled her cheating husband in Omaha to stay for a spell with Sullivan’s wife, Ellen, her old friend, will ride off into the sunset with Elwood or whether he’ll have to solace himself with Sylvie Lamarre, the flirtatious general store clerk from Montana.
Nesbitt (Across the Cheyenne River, 2014, etc.) spins a leisurely sagebrush romance with the mystery crowded into the closing chapters, after the serious gunplay has already begun.Pub Date: Feb. 18, 2015
ISBN: 978-1-4328-2929-2
Page Count: 220
Publisher: Five Star/Gale Cengage
Review Posted Online: Dec. 5, 2014
Kirkus Reviews Issue: Dec. 15, 2014
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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