Full of promise but mired in problems, D’Agata doesn’t make the cut.
A collection of essays from a new writer who spurns traditional narrative.
Twenty-six-year-old D’Agata writes with the verve of an enfant terrible. His essays range over subjects like Charles Johnson (head of the Flat Earth Society) to the many forgotten halls of fame across America (such as Big Daddy’s Drag Racing Hall of Fame in Ocala, Florida) to Henry Darger (an outsider artist who drew fantastical pictures of little girls). More like prose poems than essays, the seven pieces in this collection are composed mostly of lists, quotes, and paragraphs set apart from each other—and pages on which a single sentence is written. This unorthodox style sometimes engenders revelation, as when a seemingly inchoate mass of information on the Flat Earth Society, including some absorbing but possibly fictional interviews with Johnson, is suddenly linked to an excerpt from Jack Kerouac’s On the Road. What at first seems like a mere depiction of Johnson’s eccentricity becomes a larger statement on rootlessness and marginality in America. For the most part, however, the author’s style grows tiresome. Perhaps it’s just too much work to read these essays, which include a five-page footnote listing the different kinds of barbed wire exhibited at the National Cowboy Hall of Fame and Western Heritage Museum of Freedom in Oklahoma City. D’Agata’s fascination with kitsch also grows old in short order. A cultural tourism is at work in the collection, the highbrow writer subtly mocking his hillbilly subject matter, whose supposed authenticity reveals essential truths about America. D’Agata’s perspective is too ironic for us to think he isn’t winking when he presents his outsiders on the page. It doesn’t help that the collection concludes with a pretentious series of notes explaining the literary allusions spread throughout the essays, as well as little bits of sensationalist biography (such as the author’s job at a sperm depository).
Full of promise but mired in problems, D’Agata doesn’t make the cut.Pub Date: Jan. 1, 2001
ISBN: 1-55597-314-0
Page Count: 256
Publisher: Graywolf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2000
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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