A ride on a local that’s more fun than some others on an express.
An ambling thriller about a suspicious murder-suicide that never meets a diversion it doesn’t like.
Wittingly or not, Wylie “Coyote” Melville, unofficial Everglades County crime consultant, may suggest a reader’s initial response to this latest from Dufresne when he says, “[a] lack of narrative structure, as you know, will cause anxiety.” Melville’s wide-ranging and loosely structured narrative, which looks like a series launch, won’t exactly cause a reader anxiety. In fact, this appealing raconteur’s keen observations and dry, sometimes mordant sense of humor consistently divert. But that also means a reader can’t always discern what the book wants to be about. Like Coyote, a busy therapist who, because of his attention to detail and behavior (“I read faces and furniture”), can just about divine a culprit, the book wears many hats. Ostensibly, the plot is about a Christmas Eve shootout in which a father takes out his wife, his three children and then himself. Police are quick to rule the tragedy a murder-suicide, but too much about the case nags at Coyote. His ensuing investigation ranges far and wide and takes many side trips. There are, for example, Coyote’s no-nonsense, advice-filled therapy sessions. There are Coyote’s meetings with friend Bay Lettique, a devilish magician who can slice a banana with a card tossed from 10 feet. And there are Coyote’s dinners with his sister and brother-in-law, who suffers gout. Throughout, Coyote’s sharp-eyed narration and quick takes on behavior amuse. “He looked like a Cal or a Kim,” Coyote says of a man in a bar whose “short blond hair was combed forward and rose to a quiff like the Gerber baby’s.” Eventually, Dufresne gathers some nasty police officers, Coyote, Bay and some others and packs them off to Alaska for a solid chase scene and a denouement that, however predictable, is no less potent.
A ride on a local that’s more fun than some others on an express.Pub Date: July 15, 2013
ISBN: 978-0-393-07053-8
Page Count: 352
Publisher: Norton
Review Posted Online: June 2, 2013
Kirkus Reviews Issue: June 15, 2013
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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