The indefatigable Gardner is at it again: fresh from his triumphant conclusion of the intricate, masterful Secret Generations trilogy with The Secret Families, he's boiling the pot once more with his eighth James Bond outing, just as predictable and expertly concocted as the others. This season's malign international conspiracy is the Brotherhood of Anarchy and Secret Terror (BAST), headed by a troika of terrorists code-named the Man, the Snake, and the Cat, but actually dedicated to enriching only one of them: Bassam Baradj (born Robert Besavitsky in HeWs Kitchen), who plans to collect the ransom of the century by infiltrating a secret meeting between President Bush; Prime Minister Thatcher, and Secretary Gorbachev aboard HMS Invincible and kidnapping the three heads of state. Bond's boss M gets wind of the threat to Invincible early on and assigns Bond back to active naval duty to protect the ship. Bond's skirmishes with the usual bevy of ambiguously alluring women—blue-blooded WRNS officer Clover Pennington; Neapolitan maid Beatrice da Ricci; Soviet Naval Attache Nikola Ratnikov—are presented with more conviction than usual. And although the plot twists—Bond is fired on during his initial run piloting a Sea Harrier; dangled invitingly in an Italian villa as an assassination target; and debriefed at a NATO installation temporarily (and preposterously) in the hands of his enemies before finally boarding Invincible, foiling BAST with his customary single-handed heroics, and unmasking the bad-guys-pretending-to-be-good-guys-pretending-to-be-bad-guys (and vice versa)—sound like a child's idea of international intrigue, Gardner manages to charm some real suspense out of Bond's attempts to guess who's on which side today. Despite too many acronyms, too much artillery, and too many layers of deceptive identity, this is still one of Gardner's better Bonds, guaranteed to make you feel excited as well as a little foolish.
Pub Date: July 24, 1989
ISBN: 0425122611
Page Count: 324
Publisher: Putnam
Review Posted Online: March 30, 2012
Kirkus Reviews Issue: June 15, 1989
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
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