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CALL ME BY MY NAME

Still, the atmospheric narrative is successful at revealing the tension and texture of a distinctive time and place and one...

A friendship between two teens, one black and one white, emerges both because and in spite of racial change in a 1970s Louisiana town.

The first time Rodney Boulet sees Tatum “Tater” Henry, he is being attacked for daring to come to a whites-only park. Despite the racial climate, Rodney and Tater become friends a few years later when Tater is the first African-American on the baseball team. Integration of the high school means that he, Rodney, and Rodney’s twin sister, Angie, will also be classmates. Angie seems to share their mother’s belief in equality, but Rodney carries many of his father’s prejudices. High school, with its emphasis on sports and dating, proves tough, especially as Tater demonstrates his talent as quarterback and he and Angie grow close. Bradley is an accomplished sportswriter and deftly evokes the cultural importance of small-town sports and how these communities experienced racial change in the late 1960s and early ’70s. Rodney and his family are richly drawn characters; indeed, narrator Rodney’s grappling with his ambivalence about race is especially well-done. Tater, on the other hand reads more like a symbol than a person. He has overcome tragedy, but readers are left to wonder at the source of his strength.

Still, the atmospheric narrative is successful at revealing the tension and texture of a distinctive time and place and one teenager’s struggle to make sense of it. (Historical fiction. 12-16)

Pub Date: May 6, 2014

ISBN: 978-1-4424-9793-1

Page Count: 288

Publisher: Atheneum

Review Posted Online: March 30, 2014

Kirkus Reviews Issue: April 15, 2014

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THE FIELD GUIDE TO THE NORTH AMERICAN TEENAGER

Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice.

A teenage, not-so-lonely loner endures the wilds of high school in Austin, Texas.

Norris Kaplan, the protagonist of Philippe’s debut novel, is a hypersweaty, uber-snarky black, Haitian, French-Canadian pushing to survive life in his new school. His professor mom’s new tenure-track job transplants Norris mid–school year, and his biting wit and sarcasm are exposed through his cataloging of his new world in a field guide–style burn book. He’s greeted in his new life by an assortment of acquaintances, Liam, who is white and struggling with depression; Maddie, a self-sacrificing white cheerleader with a heart of gold; and Aarti, his Indian-American love interest who offers connection. Norris’ ego, fueled by his insecurities, often gets in the way of meaningful character development. The scenes showcasing his emotional growth are too brief and, despite foreshadowing, the climax falls flat because he still gets incredible personal access to people he’s hurt. A scene where Norris is confronted by his mother for getting drunk and belligerent with a white cop is diluted by his refusal or inability to grasp the severity of the situation and the resultant minor consequences. The humor is spot-on, as is the representation of the black diaspora; the opportunity for broader conversations about other topics is there, however, the uneven buildup of detailed, meaningful exchanges and the glibness of Norris’ voice detract.

Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice. (Fiction. 13-16)

Pub Date: Jan. 8, 2019

ISBN: 978-0-06-282411-0

Page Count: 384

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Oct. 14, 2018

Kirkus Reviews Issue: Nov. 1, 2018

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DEAD WEDNESDAY

Characters to love, quips to snort at, insights to ponder: typical Spinelli.

For two teenagers, a small town’s annual cautionary ritual becomes both a life- and a death-changing experience.

On the second Wednesday in June, every eighth grader in Amber Springs, Pennsylvania, gets a black shirt, the name and picture of a teen killed the previous year through reckless behavior—and the silent treatment from everyone in town. Like many of his classmates, shy, self-conscious Robbie “Worm” Tarnauer has been looking forward to Dead Wed as a day for cutting loose rather than sober reflection…until he finds himself talking to a strange girl or, as she would have it, “spectral maiden,” only he can see or touch. Becca Finch is as surprised and confused as Worm, only remembering losing control of her car on an icy slope that past Christmas Eve. But being (or having been, anyway) a more outgoing sort, she sees their encounter as a sign that she’s got a mission. What follows, in a long conversational ramble through town and beyond, is a day at once ordinary yet rich in discovery and self-discovery—not just for Worm, but for Becca too, with a climactic twist that leaves both ready, or readier, for whatever may come next. Spinelli shines at setting a tongue-in-cheek tone for a tale with serious underpinnings, and as in Stargirl (2000), readers will be swept into the relationship that develops between this adolescent odd couple. Characters follow a White default.

Characters to love, quips to snort at, insights to ponder: typical Spinelli. (Fiction. 12-15)

Pub Date: Aug. 3, 2021

ISBN: 978-0-593-30667-3

Page Count: 240

Publisher: Knopf

Review Posted Online: May 31, 2021

Kirkus Reviews Issue: June 15, 2021

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