Good entertainment, with plenty of local color and an interesting take on southern art and mores.
New Orleans novelist and art collector Bradley (My Juliet, 2000, etc.) dogs the footsteps of an ex-reporter in trying to track down the whereabouts of a lost masterpiece.
The Yankees, who have dominated the art trade in the US, have never had much use for southerners—unless, of course, they moved up north—so it’s not very odd that Levette Asmore, one of the greatest New Orleans painters of the 20th century, is virtually unknown outside of his hometown. Orphaned during the Great Louisiana Flood of 1927, Asmore grew up in institutions and painted his first work (on a window shade) at age six. He later made a name for himself with his raw, highly sexualized depictions of black women but ruined his career when he painted a WPA post office mural that portrayed blacks dancing with whites. In 1930s New Orleans, this was beyond the pale, and in 1941 Asmore was forced to paint over his mural. He committed suicide not long after and fell into obscurity, remembered only by academics and serious connoisseurs. One of these is art restorer Rhys Goudreau, who many years later reads of the controversy surrounding the mural and becomes obsessed with finding it. She teams up on this quest with Jack Charbonnet, a former reporter from the Times-Picayune who is more interested in Rhys than Asmore. Like all good sleuths, though, Jack has a nose for the odd coincidence. What is the connection, for example, between Wiltz Lowenthal, who donated most of the Asmore collection to the local museum, and Jack’s landlord, Charles Lowenthal, a reclusive art collector who rarely leaves his house? And what is Jack to make of Rhys’s story of her half-black grandmother’s love affair with the white Asmore? Was there more to Asmore’s suicide than the destruction of his mural? What if it hadn’t been destroyed at all?
Good entertainment, with plenty of local color and an interesting take on southern art and mores.Pub Date: Feb. 18, 2003
ISBN: 0-385-50261-3
Page Count: 336
Publisher: Doubleday
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Jan. 15, 2003
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
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PROFILES
PERSPECTIVES
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