On the track of child killers with global reach, a dogged investigator uncovers a plot that gives new meaning to ecclesiastic militancy, in a chillingly effective debut by the pseudonymous Case. Joe Lassiter, the head of a transnational security firm, is devastated by the inexplicable murders of his sister Kathy and her young son Brandon. When the only suspect in the crime, a closemouthed Italian, escapes from a Virginia hospital's prison ward, he assigns himself to the case. Lassiter follows a winding trail that leads him around Europe to Naples (home of Umbra Domini, an ultraconservative Roman Catholic order committed to the church's old, preVatican II ways) and subsequently to a mountain village in Umbria. In this remote hamlet, he learns that a world-class geneticist named Ignazio Baresgi (since deceased) ran a clinic (now burned to the ground), which provided artificial-insemination services to a clientele that at one time included Kathy. Lassiter also learns that, before Baresi went into medicine, he was a respected theologian whose specialty was relics. Although the sinister Umbra Domini, headed by a charismatic priest named Silvio della Torre, and its legions of lay adherents on both sides of the Atlantic make several attempts to eliminate him, Lassiter persists in his inquiry. At length, he traces Dr. Baresi's only surviving patient—reclusive film star Callista Bates, who quit Hollywood cold at the height of her fame—to an island off the coast of Maine, where she lives quietly with her son, Jesse. Using Bates as a sounding board, Lassiter soon confirms his own suspicions that Baresi was using the remains of ancient holy men in ways that (thanks to a breach in confessional secrecy) sent Umbra Domini after him with a vengeance. Before the unarmed pair can act on their insights, however, they must deal with the deranged della Torre and his homicidal minions. A first-rate biotech thriller with an intriguing, if ungodly, religious twist.
Pub Date: April 1, 1997
ISBN: 0-449-91101-2
Page Count: 448
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1997
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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