by John F. Kasson ‧ RELEASE DATE: April 14, 2014
Informative and well-researched, Kasson’s work offers insight into one of Hollywood’s most beloved entertainers, as well as...
A cultural historian examines how the films of Shirley Temple (1928–2014) worked in tandem with New Deal politics to help Americans overcome the Great Depression.
The images most associated with the 1930s bear witness to the hardships average Americans faced. But the ones most popular during this time bore the radiant face of child actress Temple. In this study, Kasson (History and American Studies/Univ. of North Carolina; Houdini, Tarzan, and the Perfect Man: The White Male Body and the Challenge of Modernity in America, 2001, etc.) argues that Temple’s smile and sunny personality helped bring Franklin Roosevelt’s “politics of cheer” to the forefront of national consciousness while providing Americans with much-needed emotional solace. Roosevelt’s New Deal legislation, which made government assistance available to “the forgotten man at the bottom of the economic pyramid,” only went so far. Consumer confidence, which implied faith in the future, also had to be restored to ensure the return of prosperity. Roosevelt accomplished part of this task through the vigorously cheerful outlook he projected in his political addresses. From 1934 to 1940, Temple captivated movie-going audiences all over the United States and the world with her ability to heal broken hearts with her “inexhaustible fund of optimism.” Through her extraordinary dance partnership with black entertainer Bill “Bojangles” Robinson, Temple also called attention to the problem of race in both Hollywood and the United States while bringing hope to African-Americans, who had suffered even more than whites during the Depression. The cult of personality that developed around Temple even helped the struggling economy. At the height of the young star’s popularity, fans spent millions of dollars on Temple memorabilia.
Informative and well-researched, Kasson’s work offers insight into one of Hollywood’s most beloved entertainers, as well as the fascinating connection between politics and entertainment.Pub Date: April 14, 2014
ISBN: 978-0-393-24079-5
Page Count: 384
Publisher: Norton
Review Posted Online: March 4, 2014
Kirkus Reviews Issue: March 15, 2014
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by Chris Gardner with Quincy Troupe ‧ RELEASE DATE: June 1, 2006
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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