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ROAR BACK

Remarkable stuff. Fans of Bill James’ Harpur and Iles saga of cops and robbers are in for quite a treat.

Montreal cop Émile Cinq-Mars (Ball Park, 2019, etc.) follows a winding trail from 28 break-ins at an apartment complex to a gang war that could level a lot more than the playing field.

After punching holes in the windows of 17 of the apartments and snipping the locks on the storage sheds of 11 more, the thieves helped themselves to all the toasters they could carry. Why take all this trouble on a single night to heist such negligible swag and leave behind a dead man pinned to the inside of a closet with a machete? Before Cinq-Mars, newly promoted to sergeant-detective in 1978, can get much further than asking this question, his retired mentor, Capt. Armand Touton, commands him to persuade the Rev. Alex Montour not to attend the parole hearing to urge the release of car thief Johnny Bondar, who really needs to stay in prison. Montour, a pastor who turns out to be a woman, won’t be persuaded; Bondar is duly set loose; and things promptly get weirder and more violent. Soon after Cinq-Mars and Detective Norville "Poof-Poof" Geoffrion, the hapless partner assigned to him, interview Moira Ellibee, a robbery victim who assured them that the man who assaulted her in the process must have been an apparition because she’s been under the personal protection of the Blessed Virgin since she was 14, mobster Dominic "The Dime" Letourneau and his mistress du jour are blown to pieces. When Poof-Poof follows Detective Alfred Morin and Sergeant-Detective Jerôme LaFôret, the homicide detectives who’ve grabbed the machete murder from them, to Bondar’s coming-out party, Bondar is killed along with Poof-Poof. All these crimes are connected, more or less, by the figure of Willy "Coalface" d’Alessandro, a cop whose two decades undercover with the mob have given him a tapestry of loyalties as complicated as his survival instinct is simple.

Remarkable stuff. Fans of Bill James’ Harpur and Iles saga of cops and robbers are in for quite a treat.

Pub Date: May 5, 2020

ISBN: 978-0727889379

Page Count: 256

Publisher: Severn House

Review Posted Online: Feb. 8, 2020

Kirkus Reviews Issue: March 1, 2020

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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