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PHINEAS GAGE

A GRUESOME BUT TRUE STORY ABOUT BRAIN SCIENCE

Gruesome indeed: in 1848, an explosion blew a 13-pound iron rod through railroad worker Gage’s head. Not only did he survive, he never even lost consciousness, going on to become a medical marvel and to live almost another dozen years. Was Gage lucky, or just the opposite? Carefully separating fact from legend, Fleischman traces Gage’s subsequent travels and subtle but profound personality changes, then lets readers decide. Writing in present tense, which sometimes adds immediacy, other times just comes across as artificial, Fleischman fleshes out the tale with looks at mid-19th-century medicine, the history of brain science, and how modern researchers have reconstructed Gage’s accident with high-tech tools. He also adds eye-widening photos of Gage’s actual skull (now at Harvard), his life mask, and dramatic rod-through-bone computer images that, as the author writes, will make you wince “whether you’re a brain surgeon or a sixth grader.” Readers compelled to know more—and that should be just about everyone—will find a helpful, annotated list of print and electronic sources at the end of this riveting (so to speak) study. (index, glossary) (Nonfiction. 11-13)

Pub Date: March 25, 2002

ISBN: 0-618-05252-6

Page Count: 96

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 2002

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RED-EYED TREE FROG

Bishop’s spectacular photographs of the tiny red-eyed tree frog defeat an incidental text from Cowley (Singing Down the Rain, 1997, etc.). The frog, only two inches long, is enormous in this title; it appears along with other nocturnal residents of the rain forests of Central America, including the iguana, ant, katydid, caterpillar, and moth. In a final section, Cowley explains how small the frog is and aspects of its life cycle. The main text, however, is an afterthought to dramatic events in the photos, e.g., “But the red-eyed tree frog has been asleep all day. It wakes up hungry. What will it eat? Here is an iguana. Frogs do not eat iguanas.” Accompanying an astonishing photograph of the tree frog leaping away from a boa snake are three lines (“The snake flicks its tongue. It tastes frog in the air. Look out, frog!”) that neither advance nor complement the action. The layout employs pale and deep green pages and typeface, and large jewel-like photographs in which green and red dominate. The combination of such visually sophisticated pages and simplistic captions make this a top-heavy, unsatisfying title. (Picture book. 7-9)

Pub Date: March 1, 1999

ISBN: 0-590-87175-7

Page Count: 32

Publisher: Scholastic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 1999

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QUACK AND COUNT

Baker (Big Fat Hen, 1994, etc.) engages in more number play, posing ducklings in every combination of groups, e.g., “Splashing as they leap and dive/7 ducklings, 2 plus 5.” Using a great array of streaked and dappled papers, Baker creates a series of leafy collage scenes for the noisy, exuberant ducklings to fill, tucking in an occasional ladybug or other small creature for sharp-eyed pre-readers to spot. Children will regretfully wave goodbye as the ducks fly off in neat formation at the end of this brief, painless introduction to several basic math concepts. (Picture book. 4-6)

Pub Date: Aug. 1, 1999

ISBN: 0-15-292858-8

Page Count: 24

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1999

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