THE ARISTOS

A philosophical sketchbook, whose are of darkness and light swings somewhere between the silly and the sublime, between the poseur primping before his intellectual mirror and the truly troubled spirit trying to look within. It suggests Heraclitus: sentence fragments, speculative meanderings. Thus the classical artillery; the use of opposites ("polar nature of reality"), the metaphor of change ("Humanity on its raft. The raft on the endless ocean"); above all, the relation between the One (the aristos: isolated, independent seeker of inner wisdom and knowledge) and the Many (the unthinking, unfeeling Mass). Other points include Our Most Fashionable Problems: technology, oxistentialism, materialism, dehumanized art and sex, God and the Abyss. Clearly a Major Undertaking. With "labels": angora society (bad; today's acquisitive one), stoa society (good; sort of Shaw's Major Barbara utopianism), the Midas Situation, etc. Novelist Fowles, (author of the celebrated The Collector,) writes elegantly enough and has a fairly firm formal mind. His bent is towards the rational as against modernist irrationalism, but his raft, full of received ideas and hardly any primary experience, follows a confused course: he's a "planner" and existential, hieratic and humanistic. Here he is polemicising against what one takes to be the New Critics: what's taken as a criterion is not the meaning, but a skill in hinting at meanings". He concludes, "Any good computer will beat man at this." A crack which sums up his own voluminous tag-bag, biggest since The Outsider.