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MICKELSSON'S GHOSTS

One of Gardner's longest novels, most personal, most ambitious—and alas, too, the most shambling and ultimately incredible. Peter Mickelsson is a 40-ish philosopher, a famous ethicist now on the faculty of the State U. in Binghamton, N.Y. But he's sore beset at every turn: his divorcing wife is bleeding him dry financially; his son, an anti-nuke commando, is in hiding; the IRS is after Mickelsson for non-payment of years of back taxes; and the Pennsylvania-border farmhouse that he's just bought for a song (and is rehabilitating) is definitely and very scarily haunted. Still, all that is only level one of Mickelsson's woes. He has also become romantically torn between a sociologist named Jessie and a local teenage whore, Donnie; a student of his, meanwhile, is suicidal. And level three: Mickelsson, suffering the Raskolnikovian fumes of ethical relativism, goes out and kills a shadowy fat man in order to steal the man's thousands in order that Donnie will not abort Mickelsson's child. The murder is never pinned on Mickelsson. In fact, it's all but lost in the shuffle of ever-growing farfetchedness which the book slips into next: fanatic Mormon hit-squads (having to do, as well, with the ghosts in the Mickelsson house); illegal chemical dumping; various and constant crises of faith and nervous breakdowns that turn Mickelsson into a walking falling-rock-zone. Thus, the novel is simultaneously a ghost story, a chronicle of dark nights of the soul, an anthology (like Gardner's On Moral Fiction) of an astonishing array of soreheaded-nesses: there are flailing complaints against Wittgenstein, most music, Marxism, Ronald Reagan, industrial polluters, even college kids who don't smoke (). And Mickelsson is such a pathetic wreck that, despite the tremendous amount of water that's tread, there is something compelling here, mostly with his atmospheres: superb landscape pictures of the Southern Tier geography, biting fun made at faculty pretensions in the arts, and deft appearances of Mickelsson's troubles in the metaphorical guise of dogs (no doubt the dogs of Hell). Still, finally, despite its flickering power in engaging us with such a rattletrap character in extremis, this book is more unwieldy than anything else—like mountains and mountains of loose black coal, shifting and sliding but burning no fire and making no light. And Gardner's Tolstoyan intention—massive malediction and benediction at the same time—is gagged by ludicrousness, fatigue, by a plenary sloppiness that even the fiercest pain or philosophy or ghost can't scare into shape. In all: a fascinating, oddly depressing failure.

Pub Date: June 1, 1982

ISBN: 0811216799

Page Count: 612

Publisher: Knopf

Review Posted Online: March 29, 2012

Kirkus Reviews Issue: June 1, 1982

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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