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ON WRITERS AND WRITING

By the time he died in a motorcycle crash in 1982, novelist John Gardner had distinguished himself as a candid, thoughtful critic of his fellow fiction writers who wasn't embarrassed to write a manifesto, On Moral Fiction (1978), that argued against purely aesthetic, formal judgments of literature. In this collection of essays and reviews, he addresses specific writers and books — e.g., John Cheever's Falconer, William Styron's Sophie's Choice, even Lewis Carroll's Alice in Wonderland — as well as the generic problems, joys, and issues involved in the writing of fiction. Even when critical, Gardner gives his objections a contrarian twist, finding that William Gaddis' JR is not, as the common wisdom has it, an "awesomely unreadable" but intellectually majestic novel. Instead, he argues that JR is "wonderfully and easily readable," but that in the end it is intellectually and morally lazy, concluding: "It pays, of course, that scornful sneer; people love to be told everything stinks. It sounds so intelligent.

Pub Date: April 1, 1994

ISBN: 1582434948

Page Count: 336

Publisher: Addison-Wesley

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1994

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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