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ON WRITERS AND WRITING

By the time he died in a motorcycle crash in 1982, novelist John Gardner had distinguished himself as a candid, thoughtful critic of his fellow fiction writers who wasn't embarrassed to write a manifesto, On Moral Fiction (1978), that argued against purely aesthetic, formal judgments of literature. In this collection of essays and reviews, he addresses specific writers and books — e.g., John Cheever's Falconer, William Styron's Sophie's Choice, even Lewis Carroll's Alice in Wonderland — as well as the generic problems, joys, and issues involved in the writing of fiction. Even when critical, Gardner gives his objections a contrarian twist, finding that William Gaddis' JR is not, as the common wisdom has it, an "awesomely unreadable" but intellectually majestic novel. Instead, he argues that JR is "wonderfully and easily readable," but that in the end it is intellectually and morally lazy, concluding: "It pays, of course, that scornful sneer; people love to be told everything stinks. It sounds so intelligent.

Pub Date: April 1, 1994

ISBN: 1582434948

Page Count: 336

Publisher: Addison-Wesley

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1994

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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