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THE ART OF FICTION

NOTES ON CRAFT FOR YOUNG WRITERS

Like On Becoming a Novelist (p. 428), these lecture/instructions on writing—completed before novelist/teacher Gardner's death last year—involve an often-dense mixture of theory, philosophy, and practical technical matters. Again, Gardner emphasizes that good fiction is a "vivid and continuous dream." He advocates commitment, truth, precise details, and the "principle of profluence" (what moves the narrative along, holds it together)—with brief discussions of subject, plot, character, setting, theme, and style. (The Helen of Troy story is used as a flexible example.) He suggests a genre approach to the beginning writer: not "write what you know," but "write the kind of story you know and like best." He runs through a variety of writing mistakes, things which distract from the "dream": clumsy prose, needless explanation, sentimentality, mannerism, and frigidity (which "occurs in fiction whenever the author reveals. . . that he is less concerned about his characters than he ought to be"). There's brief discussion of a few purely technical matters—vocabulary, sentence structure, poetic rhythm—and more elaborate discussion of plotting: illustration of three different general methods. And, along with a few pages of exercises, there are not-always-coherent comments on contemporary writing trends (metafiction, absurdism, etc.) and reaffirmations of Gardner's "moral" approach to fiction. (In passing, for instance, he decrees that the "nobler" a character's goal, "the more interesting the story"—a dubious formulation.) Repetitious and disorganized, heavier on rhetoric than step-by-step guidance—but sure to interest creative-writing teachers and, to a lesser extent, beginning writers.

Pub Date: Jan. 11, 1983

ISBN: 0679734031

Page Count: 236

Publisher: Knopf

Review Posted Online: March 29, 2012

Kirkus Reviews Issue: Jan. 1, 1983

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TRUE COLORS

Above-average formula fiction, making full display of the author’s strong suits: sense of place, compassion for characters...

Female rivalry is again the main preoccupation of Hannah’s latest Pacific Northwest sob saga (Firefly Lane, 2008, etc.).

At Water’s Edge, the family seat overlooking Hood Canal, Vivi Ann, youngest and prettiest of the Grey sisters and a champion horsewoman, has persuaded embittered patriarch Henry to turn the tumbledown ranch into a Western-style equestrian arena. Eldest sister Winona, a respected lawyer in the nearby village of Oyster Shores, hires taciturn ranch hand Dallas Raintree, a half-Native American. Middle sister Aurora, stay-at-home mother of twins, languishes in a dull marriage. Winona, overweight since adolescence, envies Vivi, whose looks get her everything she wants, especially men. Indeed, Winona’s childhood crush Luke recently proposed to Vivi. Despite Aurora’s urging (her principal role is as sisterly referee), Winona won’t tell Vivi she loves Luke. Yearning for Dallas, Vivi stands up Luke to fall into bed with the enigmatic, tattooed cowboy. Winona snitches to Luke: engagement off. Vivi marries Dallas over Henry’s objections. The love-match triumphs, and Dallas, though scarred by child abuse, is an exemplary father to son Noah. One Christmas Eve, the town floozy is raped and murdered. An eyewitness and forensic evidence incriminate Dallas. Winona refuses to represent him, consigning him to the inept services of a public defender. After a guilty verdict, he’s sentenced to life without parole. A decade later, Winona has reached an uneasy truce with Vivi, who’s still pining for Dallas. Noah is a sullen teen, Aurora a brittle but resigned divorcée. Noah learns about the Seattle Innocence Project. Could modern DNA testing methods exonerate Dallas? Will Aunt Winona redeem herself by reopening the case? The outcome, while predictable, is achieved with more suspense and less sentimental histrionics than usual for Hannah.

Above-average formula fiction, making full display of the author’s strong suits: sense of place, compassion for characters and understanding of family dynamics.

Pub Date: Feb. 9, 2009

ISBN: 978-0-312-36410-6

Page Count: 400

Publisher: St. Martin's

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Oct. 15, 2008

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TELL ME LIES

There are unforgettable beauties in this very sexy story.

Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."

Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.

There are unforgettable beauties in this very sexy story.

Pub Date: June 12, 2018

ISBN: 978-1-5011-6964-9

Page Count: 352

Publisher: Atria

Review Posted Online: March 19, 2018

Kirkus Reviews Issue: April 1, 2018

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