Jazz lovers will relish this exploration of a crucial place in jazz’s development.
How jazz found a new audience in the Berkshires.
In 1950 a well-off married couple, Philip and Stephanie Barber, opened Music Inn in Lenox, Massachusetts, in the Berkshires, a historically white area of deep cultural significance. They later fashioned a carriage house as a performance center for all kinds of music, lectures, and tutorials grounded in the Lenox School of Jazz. A “wellspring of American vernacular music” was born with first-class musicians like Duke Ellington, Billie Holiday, Stan Getz, and the Modern Jazz Quartet during a powerful postwar movement for racial equality. Lenox is Gennari’s hometown, and in this book, the University of Vermont professor writes of “learning to see jazz, the Berkshires, race, culture, and America itself in new ways.” After providing some historical background about the region, Gennari notes that jazz “may be singular in the strength of its attachment to place…and movement.” For Black “jazz pianist and Brooklynite Randy Weston, Lenox figured as nothing less than a life-defining experience.” He got a job at Music Inn and was encouraged to play piano in the front lounge. Jazz writer Marshall Stearns created influential jazz roundtables showcasing Black artists and writers and was a founder of the School of Jazz. Music Inn’s opening event featured folk singers Alan Lomax, Pete Seeger, and Woody Guthrie while still fostering blues, African, and Afro-Caribbean music. Gennari writes about eminent photographer Clemens Kalischer, whose photos of many Music Inn participants are included throughout the book. In time, Music Inn’s musical performances “mediated between the local and the national.” The author profiles a number of the jazz school’s outstanding students, including Ran Blake, Ornette Coleman, and Don Cherry. Dave Brubeck’s Time Out and Miles Davis’ Kind of Blue, among other albums, all had a “deep connection to Music Inn.” Its liberal and multicultural ideology was key to the changes in jazz music throughout the pulsating 1950s.
Jazz lovers will relish this exploration of a crucial place in jazz’s development.Pub Date: Oct. 15, 2025
ISBN: 9781684582853
Page Count: 254
Publisher: Brandeis Univ.
Review Posted Online: June 13, 2025
Kirkus Reviews Issue: July 15, 2025
A frank and funny but uneven essay collection about neurodiversity.
An experimental, illustrated essay collection that questions neurotypical definitions of what is normal.
From a young age, writer and comedian Myers has been different. In addition to coping with obsessive compulsive disorder and panic attacks, she struggled to read basic social cues. During a round of seven minutes in heaven—a game in which two players spend seven minutes in a closet and are expected to kiss—Myers misread the romantic advances of her best friend and longtime crush, Marley. In Paris, she accidentally invited a sex worker to join her friends for “board games and beer,” thinking he was simply a random stranger who happened to be hitting on her. In community college, a stranger’s request for a pen spiraled her into a panic attack but resulted in a tentative friendship. When the author moved to Australia, she began taking notes on her colleagues in an effort to know them better. As the author says to her co-worker, Tabitha, “there are unspoken social contracts within a workplace that—by some miracle—everyone else already understands, and I don’t….When things Go Without Saying, they Never Get Said, and sometimes people need you to Say Those Things So They Understand What The Hell Is Going On.” At its best, Myers’ prose is vulnerable and humorous, capturing characterization in small but consequential life moments, and her illustrations beautifully complement the text. Unfortunately, the author’s tendency toward unnecessary capitalization and experimental forms is often unsuccessful, breaking the book’s otherwise steady rhythm.
A frank and funny but uneven essay collection about neurodiversity.Pub Date: Oct. 28, 2025
ISBN: 9780063381308
Page Count: 272
Publisher: Morrow/HarperCollins
Review Posted Online: Sept. 12, 2025
Kirkus Reviews Issue: Oct. 15, 2025
A pleasure for fans of old-school historical narratives.
Avuncular observations on matters historical from the late popularizer of the past.
McCullough made a fine career of storytelling his way through past events and the great men (and occasional woman) of long-ago American history. In that regard, to say nothing of his eschewing modern technology in favor of the typewriter (“I love the way the bell rings every time I swing the carriage lever”), he might be thought of as belonging to a past age himself. In this set of occasional pieces, including various speeches and genial essays on what to read and how to write, he strikes a strong tone as an old-fashioned moralist: “Indifference to history isn’t just ignorant, it’s rude,” he thunders. “It’s a form of ingratitude.” There are some charming reminiscences in here. One concerns cajoling his way into a meeting with Arthur Schlesinger in order to pitch a speech to presidential candidate John F. Kennedy: Where Richard Nixon “has no character and no convictions,” he opined, Kennedy “is appealing to our best instincts.” McCullough allows that it wasn’t the strongest of ideas, but Schlesinger told him to write up a speech anyway, and when it got to Kennedy, “he gave a speech in which there was one paragraph that had once sentence written by me.” Some of McCullough’s appreciations here are of writers who are not much read these days, such as Herman Wouk and Paul Horgan; a long piece concerns a president who’s been largely lost in the shuffle too, Harry Truman, whose decision to drop the atomic bomb on Japan McCullough defends. At his best here, McCullough uses history as a way to orient thinking about the present, and with luck to good ends: “I am a short-range pessimist and a long-range optimist. I sincerely believe that we may be on the way to a very different and far better time.”
A pleasure for fans of old-school historical narratives.Pub Date: Sept. 16, 2025
ISBN: 9781668098998
Page Count: 208
Publisher: Simon & Schuster
Review Posted Online: June 26, 2025
Kirkus Reviews Issue: Aug. 1, 2025
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