A child movie star disappears and emerges 45 years later as a blue-haired trailer-park hag in Dunne's lurid tale of Hollywood sex, crime, and deception. In the 1930s, Blue Tyler was Tinseltown's highest paid ``cinemoppet''—Cosmopolitan Studio's meal ticket until she turned 23, when she fell from the biz and, to all appearances, off the planet. Decades later, researching a dopey cop movie, screenwriter Jack Broderick (back from The Red, White, and Blue, 1987) crashes into her accidentally in Detroit, where she is living in anonymous squalor. He alerts his producers that the real story is the discovery of the now elderly Blue Tyler, scraps everything else, and—helped by a vulgar extortionist policeman—gets the scoop on her life. All this is done through interviews with people who knew her, notably her ex-lover and publicist who afforded her a lifelong stipend, and her director, a one-legged war veteran and one of the only men in LA who didn't sleep with Blue (he's gay). Other sources include newspaper articles and court transcripts that reveal Blue's affair with vicious gangster Jacob King, who was gunned down in Playland, his tacky Las Vegas hotel, and various classified documents unearthed by shady connections. Interviews with brassy, foul-mouthed Blue herself (before she disappears again) offset the testimony of those who knew her. The result is an intriguing puzzle of identity. Does Blue's self-portrait match the image that friends and the public paint? Jack's compulsive fixation and frustration with her mount as he struggles to complete his research and cram her legend into a hit screenplay with integrity. At the end of the seamy story, the truth remains unclear, but nobody cares. The constant maybes and the run-on rants are made tolerable, even beguiling, by Dunne's bristling prose and savage cinematics. Dunne delivers grit with polish in this wicked celebrity archaeology. (Author tour)
Pub Date: Aug. 1, 1994
ISBN: 0-679-42427-X
Page Count: 496
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1994
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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