by John Gribbin Martin Rees ‧ RELEASE DATE: Aug. 15, 1989
Suddenly, anthropic cosmology—which speculates on the relationship between scientific law and human life—is all the rage. David Darling's Deep Time (reviewed above) takes a self-consciously lyrical look at the field; here, Gribbin (In Search of Schrodinger's Cat, 1984, etc.) and astronomer Rees opt for a more nuts-and-bolts approach. The coauthors scamper across much of the newest turf in astrophysics and particle physics. Their main concern is to identify the nature of the "dark matter" that permeates the universe, and whose gravitational pull keeps the cosmos "balanced on a knife edge between being open and closed." This search for dark matter leads into dizzying tours through "the geography of the universe"—quasars, gravity lenses, cosmic strings, et al.—and the microcosmic "particle zoo." Since dark matter "controls the structure and eventual fate of the Universe," it also creates conditions that favor human life. The authors note that other physical events—the precise balance between nuclear, electrical, and gravitational forces; the homogeneity of the universe—also seem eerily conducive to human life. Coincidence or design? These orthodox scientists plump for the former, positing a vast number of universes, one of which—our own—just by chance gave birth to us all. The aforementioned conclusion is the book's Achilles' heel—neither Gribbin nor Rees is an accomplished philosopher, and in constructing their views on human life, they lean heavily on the most recent (and quite possibly evanescent) theories. When they're writing about what they know, however, they can knock your socks off. A heady introduction to a complex subject.
Pub Date: Aug. 15, 1989
ISBN: 055299443X
Page Count: 302
Publisher: Bantam
Review Posted Online: May 17, 2012
Kirkus Reviews Issue: July 15, 1989
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by John Gribbin & Mary Gribbin
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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