We can now say unequivocally that the warmest period of the present 'interglacial' is over. . . from here on we can expect a cooling off until within about 10,000 years the world will be in the grip of another full ice age." That firm note of conviction runs through Gribbin's cogent summary of the forces shaping earth's climate, and distinguishes it from the many "iffy" conjectures abounding. The arguments he summons are based both on old theories (Milankovich's ice age model) and on very recent data obtained from space probes, sedimentary analysis, statistical studies, and increasingly sensitive computer models. Excitingly, a new central dogma is emerging—that of a changing sun. It appears that the. sun's nuclear furnace may have "gone off the boil" so that the center is 10% cooler than it was, say, 10 million years ago. That, in combination with notable surface fluctuations—sunspot cycles, solar flares, "gusts" of solar wind—would go far to account for the ups and downs of earth's weather. In turn, periodic changes in the shape of earth's orbit, the angle of its tilt, and its constant "wobble" assure that the amount of heat reaching the surface will vary over latitude, season, and century. Thus it is an unstable sun interacting with an unstable earth (and both interacting with the movements of the other parts of the solar system) which ultimately shapes our weather. Not that man is not a factor. Gribbin, more conjectural here, feels that industrial pollution—dust, heat, the greenhouse effect, aerosols—may contribute a warming effect in the years ahead. He is also certain that political solutions must be sought to avoid crop shortages and famine. Subtle and sophisticated in flavor, Gribbin's account is to be commended not only for his emphasis on the astrophysics of climate (his field), but for his understanding of present political realities.
Pub Date: Feb. 1, 1979
ISBN: 0684158078
Page Count: 200
Publisher: Scribner
Review Posted Online: May 17, 2012
Kirkus Reviews Issue: Feb. 1, 1979
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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