Fine Grisham storytelling that his fans will enjoy.
A descendant of enslaved people fights a Florida developer over the future of a small island.
In 1760, the slave ship Venus breaks apart in a storm on its way to Savannah, and only a few survivors, all Africans, find their way safely to a tiny barrier island between Florida and Georgia. For two centuries, only formerly enslaved people and their descendants live there. A curse on white people hangs over the island, and none who ever set foot on it survive. Its last resident was Lovely Jackson, who departed as a teen in 1955. Today—well, in 2020—a developer called Tidal Breeze wants Florida’s permission to “develop” Dark Isle, which sits within bridge-building distance from the well-established Camino Island. The plot is an easy setup for Grisham, big people vs. little people. Lovely’s revered ancestors are buried on Dark Isle, which Hurricane Leo devastated from end to end. Lovely claims the islet’s ownership despite not having formal title, and she wants white folks to leave the place alone. But apparently Florida doesn’t have enough casinos and golf courses to suit some people. Surely developers can buy off that little old Black lady with a half million bucks. No? How about a million? “I wish they’d stop offering money,” Lovely complains. “I ain’t for sale.” Thus a non-jury court trial begins to establish ownership. The story has no legal fireworks, just ordinary maneuvering. The real fun is in the backstory, in the portrayal of the aptly named Lovely, and the skittishness of white people to step on the island as long as the ancient curse remains. Lovely has self-published a history of the island, and a sympathetic white woman named Mercer Mann decides to write a nonfiction account as well. When that book ultimately comes out, reviewers for Kirkus (and others) “raved on and on.” Don’t expect stunning twists, though early on Dark Isle gives four white guys a stark message. The tension ends with the judge’s verdict, but the remaining 30 pages bring the story to a satisfying conclusion.
Fine Grisham storytelling that his fans will enjoy.Pub Date: May 28, 2024
ISBN: 9780385545990
Page Count: 304
Publisher: Doubleday
Review Posted Online: March 23, 2024
Kirkus Reviews Issue: April 15, 2024
SEEN & HEARD
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
Fast-moving excitement with a satisfying finish.
The feds must protect an accused criminal and an orphaned girl.
Maybe you’ve met him before as protagonist of The 6:20 Man (2022): Ex-Army Ranger Travis Devine, who’d had the dubious fortune to tangle with “the girl on the train,” is now assigned by his homeland security boss to protect Danny Glass, who's awaiting trial on multiple RICO charges in Washington state. Devine has what it takes: He “was a closer, snooper, fixer, investigator,” and, when necessary, a killer. These skills are on full display as the deaths of three key witnesses grind justice to a temporary halt. Glass has a 12-year-old niece, Betsy Odom, and each is the other’s only living relative—her parents recently died of an apparent drug overdose. The FBI has temporary guardianship of Betsy, who's a handful. She tells Travis that though she’s not yet 13, she's 28 in “life-shit years.” The financially well-heeled Glass wants to be her legal guardian with an eye to eventual adoption, but what are his real motives? And what happens to her if he's convicted? Meanwhile, Betsy insists that her parents never touched drugs, and she begs Travis to find out how they really died. This becomes part of a mission that oozes danger. The small town of Ricketts has a woman mayor who’s full of charm on the surface, but deeply corrupt and deadly when crossed. She may be linked to a subversive group called "12/24/65," as in 1865, when the Ku Klux Klan beast was born. Blood flows, bombs explode, and people perish, both good guys and not-so-good guys. Readers might ponder why in fiction as well as in life, it sometimes seems necessary for many to die so one may live. And what about the girl on the train? She's not necessary to the plot, but she's a fun addition as she pops in and out of the pages, occasionally leaving notes for Travis. Maybe she still wants him dead.
Fast-moving excitement with a satisfying finish.Pub Date: Nov. 12, 2024
ISBN: 9781538757901
Page Count: 432
Publisher: Grand Central Publishing
Review Posted Online: Sept. 14, 2024
Kirkus Reviews Issue: Oct. 15, 2024
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