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MAROON RISING

From the Buck Reilly Adventure Series series , Vol. 5

Breezy, winsome, and endlessly diverting.

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In the latest installment of Cunningham’s (Second Chance Gold, 2014, etc.) adventure series, Buck Reilly dodges bullets and faces off against kidnappers while searching for Jamaican treasure.

Buck lost a bid for a Port Royal salvage site in Jamaica, but his ex–business partner, Jack Dodson, won it. Jack’s subsequent search for treasure there, hidden centuries ago by former Jamaican lieutenant governor and privateer Henry Morgan, has proven fruitless. That’s because the treasure is in a different place, according to Col. Stanley Grandy—a leader of a group called the Maroons, whose original members escaped slavery in the 1600s. Grandy and archaeology professor Nanny Adou want Buck to find the treasure with the help of Morgan’s documents, including his diary. Buck agrees and soon falls for Nanny, despite the fact that she’s quite possibly withholding information from him. Circumstances quickly turn dire when someone abducts Nanny and threatens to kill her unless Buck tracks down the treasure within 48 hours. This novel is a jaunty romp with a protagonist who willingly acknowledges his flaws and failures. For example, Buck can’t stop thinking about Heather, his ex-wife who’s now involved with Jack—and has been ever since she and Buck were married. (Betty, Buck’s old plane, is also with Jack now.) There are numerous allusions to James Bond; after all, the protagonist is staying at GoldenEye Resort, Ian Fleming’s old home-turned-resort. But even if Buck considers Nanny his “Bond girl,” he’s not a spy at all but rather an intuitive treasure hunter, and he makes deciphering petroglyphs seem effortless. His hunt, too, is noble: the once-rich Buck, living like a pauper since filing bankruptcy, consents to receiving a mere 10 percent of the treasure haul so that the bulk of Morgan’s assets can go to the Jamaican people. Notwithstanding its ebullience, the story has its share of tense moments, from Nanny’s sudden kidnapping to a shocking double-cross. There’s also a perpetual sense of danger, and every unfortunate encounter with Jack’s trigger-happy partner, Gunner, is unnerving.

Breezy, winsome, and endlessly diverting.

Pub Date: Nov. 24, 2015

ISBN: N/A

Page Count: 261

Publisher: Greene Street, LLC

Review Posted Online: Nov. 24, 2015

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  • New York Times Bestseller

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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