An artfully rendered, suspenseful look at an imaginary turn in Nixon’s presidency.
A historical novel that cleverly postulates an alternate reality in which President Richard Nixon refuses to resign.
The author, former chief of staff to Nixon, is well-positioned to pen a novel based on Nixon’s drama-ridden presidency. Taylor’s (Patterns of Abuse, 1988) second book follows the events on the day Nixon announced his intention to vacate the White House in 1974. In this version, without informing his closest advisers, Nixon decides to remain in the Oval Office. In order to properly defend himself against his Watergate accusers, the president invokes the 25th Amendment, which allows him to temporarily hand over his executive powers to Vice President Gerald Ford. Only one person, an unheralded and green staffer, Emily Weissman, seems to be in the know; Nixon asked her to help him craft his bombshell remarks. What ensues is the chaos that often accompanies uncertainty. Will Nixon’s unprecedented transfer of power generate the appearance of national weakness, potentially emboldening North Vietnam to defy a standing peace accord with the South? Will a battered Republican Party, likely to lose even more ground in the upcoming congressional elections, be further demoralized or find renewal in Nixon’s intransigence? Even mundane practical matters seem difficult to settle decisively: Does the Constitution mandate that Ford be sworn in? Emily, a staunch Nixon loyalist, is the beating heart of the narrative, rising to the challenge of history-making. And to complicate matters, she falls for a calculating Reagan operative who takes the other side in an internecine war brewing within the Republican Party. The prose is razor-sharp and historically astute, and the dialogue is crisp and witty. Consider this gem from the staff secretary at the National Security Council; he’s talking to the White House operator after Nixon handed the baton to Ford: “ ‘This is Mr. Szabados at the NSC. May I please speak with the president?’ ‘Which one?’ she said. ‘The one who bombed Cambodia.’ ”
An artfully rendered, suspenseful look at an imaginary turn in Nixon’s presidency.Pub Date: July 17, 2014
ISBN: 978-1499530834
Page Count: 312
Publisher: CreateSpace
Review Posted Online: Aug. 26, 2014
Kirkus Reviews Issue: Oct. 1, 2014
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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