by John Hanson Mitchell ‧ RELEASE DATE: May 1, 1998
A Thoreauvian ramble through English common law, American history, the New England landscape, and much else. Mitchell (Walking Towards Walden, 1995), winner of the John Burroughs Essay Award, takes a sidelong look at our tenure on the American land, contrasting communal-property ideas of the continent’s indigenes with imported ideas of might and right—ideas, he writes, that are really fairly new, dating only to the 18th century, before which time one bought the right to live on a particular piece of land, not the land itself. —How do you determine where the boundaries lie exactly while you are out walking, and if you happen to cross an imaginary line, one run out and recorded and set on paper and filed in a registry of deeds, what does it matter?— he asks while roving in the Yankee woods of Massachusetts. It matters plenty, he answers, to his good-fences neighbors, who jealously guard their domains with shotguns, writs, and pot-bellied pigs. It matters, too, to history; the domain of the Nashobah Indians, on whose historic ground Mitchell and his neighbors now dwell, is contested by four postage stamp-sized Massachusetts townships. Mitchell is quite at home entertaining the airless abstractions of property law, but he’s resolutely (and literally) down-to-earth; —to know a place, to know the real map of the world, you have to get out on the land and walk,— he notes, and walk he does all over the green fields, turning up a solid piece of nature writing in the bargain. Elsewhere he examines the history of public- and private-domain property rights, tracing them through Anglo-Norman custom into the present and considers the question whether we have the moral right to destroy habitat in order to make room for yet another boxlike development for 60 or 70 or 100 well-heeled families. A thoughtful, beautifully written addition to environmental and regional literature.
Pub Date: May 1, 1998
ISBN: 0-201-44214-0
Page Count: 320
Publisher: Addison-Wesley
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 1998
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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