Two parallel stories take place side-by-side in this ambitious novel, but neither is fully realized. Gregory lives in modern America, where he is suffering from his father’s suicide a few years earlier. Gregor lives in the Home Country, where he is chosen to be one of the Golden Ten young men sent every ten years to the Mother Country. Each boy dreams about the other and the patterns of their lives become increasingly similar. Gregory gets involved in a burglary scheme in which he crawls through sewer tunnels under the city; Gregor and his companions find themselves about to be sacrificed to the Minotaur, wandering through the labyrinth on their way to likely death. Unfortunately, readers will be frustrated by the unanswered questions and undeveloped themes. Gregory’s mother keeps saying his father killed himself because of mental illness, but that key fact in the boy’s life is left hanging. Incredibly enough, Gregor and his friends don’t notice that none of the previous groups of Golden Ten ever returned home. The narrative voice, which often reflects Gregory’s thoughts, is uneven and sometimes totally off, describing the girl he likes as “a heady mixture of young lady and daredevil,” hardly the thought of a 14-year-old boy. In the end, the two stories come together in the labyrinth, where Gregor apparently escapes and Gregory confronts his internal monster, his anger at his father’s suicide, in a confusing dramatic scene. Part problem novel, part fantasy, this needed more space to expand on its settings and themes, and solidify its interesting structure. (Fiction. 12+)
Pub Date: June 1, 2001
ISBN: 0-399-23571-X
Page Count: 208
Publisher: Philomel
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 1, 2001
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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