Just the sort of book to keep by your bed—a bundle of knowing laughs, though at whom is ever the question at hand.
John Hodgman is a busy man. And, on the strength of the published evidence, including this new book, a very strange man indeed.
Perhaps best known as the milquetoasty but oddly self-satisfied PC in the Apple commercials, Hodgman is a writer of considerable charm and much merit. As with More Information Than You Require (2008) and Areas of My Expertise (2005), this odd little volume delights in being…well, if not wrong, then bizarrely inventive, and rock-solid in the assuredness of the justice of his cause. Take this specimen, riffing on the old saw “You don’t have to be crazy, but it helps” (which Hodgman willfully misquotes to serve his murky purposes): “Well, guess what? The guy who made up that slogan probably made a million dollars, because it was very popular, and he printed it on food during the Great Depression.” Let us count the ways in which that is wrong—and also very funny. Which is entirely the point: Hodgman, a sometime colleague, aims to outdo Jon Stewart’s America and Earth book empire with sheer outré exuberance, and he succeeds at every step. Exhibit A: Everyone wants to be rich in America, right? Well, counsels Hodgman, that won’t happen, because “the billionaires who actually control the world would not allow it.” But what’s to stop you from believing you’re filthy rich, and who’s to say you’re not? That’s the glory of modern life—and because we live in a land of opportunity, strange and unpredictable things happen, which is just the reason, Hodgman asserts, that Wilt Chamberlain had to hire a “special sex butler.” Bad math, bad facts—it all adds up to what Jean-Paul Sartre would have called bad faith. But Sartre’s dead, and it’s Hodgman’s world—and besides, Sartre never wrote half as convincingly about the impending apocalypse that will be Ragnarok.
Just the sort of book to keep by your bed—a bundle of knowing laughs, though at whom is ever the question at hand.Pub Date: Nov. 1, 2011
ISBN: 978-0-525-95244-2
Page Count: 368
Publisher: Dutton
Review Posted Online: Oct. 1, 2011
Kirkus Reviews Issue: Oct. 15, 2011
BOOK REVIEW
BOOK REVIEW
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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