A flighty, serio-comic excavation of SF tropes and doomsday conspiracies.
In Hopkins’ SF novel, an American newlywed couple must find an ancient, powerful alien relic from Egypt to prevent the destruction of mankind.
The author begins his Powers That Be SF trilogy with this international caper, which opens in primordial times: Nascent human life on Earth is monitored by bodiless beings, the Light Specters, who believe humans are vital to the universe and must be safeguarded. The entities erect a pyramid-shaped beacon in ancient Egypt, effectively preventing extraterrestrial interference; certain key humans (starting with the Pharaoh Khufu) receive special powers to aid in the task of protection. But a rebel faction, the Dark Specters, spend millennia obsessively scheming against humanity. Finally, in the early 20th century, a Nazi officer, manipulated by Dark Specters, removes the eternal power source of the long-buried beacon, an uncanny metallic ellipse with a Tolkien-like Ring-of-Power influence over anyone in its vicinity. Finding and returning the missing talisman to its proper node are the responsibilities the Powers That Be (PTB), a super-secret extra-governmental agency made up of elite humans, a few benevolent aliens, and androids. In 2044, with time running out before an alien invasion, the PTB recruits Rachel Alexander Haig, descendant of a key human bloodline, newly wedded to Owen Haig, an adventurous banker fond of quoting Indiana Jones and other escapist-fantasy Hollywood properties. Action and peril follow the sexy, young, game-for-anything couple throughout an itinerary of North African deserts and antiquities. Despite the apocalyptic danger and violence, the tone throughout is glib and flippant, sometimes getting a little too arch and twee for its own good (“Am I ready for my close-up?” asks a character in 1944, paraphrasing a famous movie line not to be uttered until 1950). Epic mayhem and grisly gore co-exist uneasily with comical slang (such as “noggin” and “skedaddle”), but one can’t say it isn’t the proverbial roller-coaster ride. In an introduction, the author states that the materials’ roots lay in a gag comic strip he did based on paranormal conspiracies and Area 51 mythology. The book includes an actual bibliography of sources for all of the conspiratorial and archaeological references.
A flighty, serio-comic excavation of SF tropes and doomsday conspiracies.Pub Date: N/A
ISBN: 9780996506779
Page Count: -
Publisher: N/A
Review Posted Online: Sept. 29, 2023
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.
A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.
Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.Pub Date: July 26, 2016
ISBN: 978-1-101-90422-0
Page Count: 352
Publisher: Crown
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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BOOK TO SCREEN
BOOK TO SCREEN
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