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THE LOST SHIP

From the The Powers That Be series , Vol. 2

A futuristic quest with an offbeat prehistoric twist but uneven execution.

In Hopkins’ SF sequel to The Golden Ellipse (2021), Owen and Rachel Haig must save humanity again in an action-packed treasure hunt.

The story begins 90 million years ago, when a massive spaceship is abandoned in the jungles of the future Brazil. Within it are priceless gems, Cretaceous-era dinosaurs, and a pathogen bomb. Fast-forward to 1928, when explorer Charles Pike rediscovers the ship near the Brazilian city of Fordlândia and maps out its location in a notebook; it’s then kept in a London lockbox until 2044, when the world is reeling from a horrific alien invasion. The villainous CEO of SATStar Industries, Griffin Pike (descendant of Charles), makes sure that the incident is blamed on the secretive organization the Powers That Be (PTB), which he regards as an obstacle to his quest for power. In the aftermath, Owen and Rachel Haig are reunited; they later join the PTB, which immediately sends them to uncover the lost spaceship. Meanwhile, PTB administrator Nina Madsen and special agent Terrence O. Flynn Gilliam, who were previously Owen and Rachel’s companions, are held hostage and tortured on a different spaceship. Luckily, they receive unexpected assistance and eventually rejoin Owen and Rachel’s travel party; to combat the jungle’s many threats (including aliens, dinos, and cannibalistic humans), they join forces with Griffin’s team. Later, this alliance frays, and a free-for-all determines the fate of humanity. During the story, a character quips, “We just went from Star Wars to Indiana Jones in a heartbeat,” and this description aptly summarizes what readers can expect as they make their way through this adventure tale, which includes plenty of snappy dialogue. Newcomers are likely to find themselves lost without the additional context of the first installment of the series, however. The first half of the story struggles with overly slow pacing, and the jumps between different time periods are sometimes jarring. The coverage of LGBTQ+ material is mixed; some queer characters are likable and heroic, while others are problematic.

A futuristic quest with an offbeat prehistoric twist but uneven execution.

Pub Date: May 4, 2023

ISBN: 9798986233826

Page Count: 616

Publisher: Hopart Publishing

Review Posted Online: Jan. 8, 2024

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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WHEN THE MOON HITS YOUR EYE

A ridiculous concept imbued with gravity, charm, humor, plausible cynicism, and pathos—and perhaps the merest touch of spite.

A Wallace & Gromit dream is more of a nightmare in this darkly farcical science fantasy in which the moon inexplicably becomes…well, not green, but decidedly dairy.

When the moon and every lunar sample on Earth transform into a cheese-like substance, it seems amusing at first, but the appearance of this newly organic, extremely unstable satellite has far-reaching, apocalyptic consequences. A variety of U.S. citizens—disappointed astronauts from newly cancelled lunar missions, scientists whose understanding of the universe has been entirely upended, writers frantically adapting their pitches, retirees at a rural diner finding solace in their friendship, a small church community looking for divine answers, bickering cheese-shop owners whose product gets both welcome and unwelcome attention, the ultra-wealthy owner of an aerospace company with a spectacularly self-involved agenda, bank executives seeking a financial angle, and government officials desperately scheduling press conferences—respond in ways grand and petty, generous and self-serving. Those responses can only escalate when a cheesy lunar fragment threatens to destroy all life on our planet. Scalzi’s premise is absurd, but it’s merely the pretext to take a multifaceted, satiric look at how Americans deal with large-scale crisis, something we’re abundantly and recently familiar with, and will no doubt experience again in the not-so-distant future. He writes of denial, conspiracy theories, anger directed at the wrong people, unscrupulous political machinations, and multiple attempts at profiting from the end of the world, for as long as it lasts. There are moments of unexpected kindness and generosity, too. Of course, Scalzi takes aim at his favorite corporate, social, and government targets, as well as at the cheap sentiment that crisis always seems to inspire (as exemplified by a catastrophic Saturday Night Live episode).

A ridiculous concept imbued with gravity, charm, humor, plausible cynicism, and pathos—and perhaps the merest touch of spite.

Pub Date: March 25, 2025

ISBN: 9780765389091

Page Count: 336

Publisher: Tor

Review Posted Online: Nov. 23, 2024

Kirkus Reviews Issue: Jan. 1, 2025

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