A unique, insightful coming-of-age story blended with a gripping crime/adventure novel.
Leggett’s dark blend of crime fiction and coming-of-age tale, set initially in 1959 Brooklyn, follows a 12-year-old boy as he attempts to escape from a seemingly predetermined violent future.
Anthony Romano’s life isn’t exactly idyllic. He lives in a seedy Brooklyn tenement with his prostitute mother, but things get exponentially worse when he’s expelled from school for stabbing a teacher with a letter opener and allegedly setting fire to the school. When his mother dies of a drug overdose soon thereafter, he begins his journey through the foster-care system—getting lucky when he moves in with a retired cop and his wife in New Rochelle. Hank Lanier immediately takes the troubled youth under his wing, and together with his wife, Shelly, the family spends the summer at their camp on a remote lake in Maine. There, Anthony finds an eclectic group of friends, experiences some jaw-dropping adventures, and even falls in love. But Anthony’s rough background back on the streets of Brooklyn—where he met more than a few dangerous criminals—follows him to the remote Maine lake in a most unexpected way. The focus on setting and the nostalgic undertone are the novel’s obvious strengths. Here Leggett describes a convenience store in Maine: “An antique cash register sat on the counter. The wall behind it offered packages of rubber worms for amateurs and tourists along with pine-scented air fresheners, bottle openers, and refrigerator magnets in the shapes of moose and lobsters. The countertop held glass jars of penny candy and Slim Jims.” The gritty storyline involving Anthony’s brief contact with possible hit men during his time in Brooklyn gives the novel an intensity and gravitas—but it’s the compassionate and emotionally compelling way that Leggett treats Anthony’s journey to enlightenment that makes this such a memorable story.
A unique, insightful coming-of-age story blended with a gripping crime/adventure novel.Pub Date: June 15, 2022
ISBN: 978-1-79233-048-3
Page Count: 387
Publisher: Publisher Services
Review Posted Online: Aug. 8, 2022
Review Program: Kirkus Indie
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
I Who Have Never Known Men ($22.00; May 1997; 224 pp.; 1-888363-43-6): In this futuristic fantasy (which is immediately reminiscent of Margaret Atwood's The Handmaid's Tale), the nameless narrator passes from her adolescent captivity among women who are kept in underground cages following some unspecified global catastrophe, to a life as, apparently, the last woman on earth. The material is stretched thin, but Harpman's eye for detail and command of tone (effectively translated from the French original) give powerful credibility to her portrayal of a human tabula rasa gradually acquiring a fragmentary comprehension of the phenomena of life and loving, and a moving plangency to her muted cri de coeur (``I am the sterile offspring of a race about which I know nothing, not even whether it has become extinct'').
Pub Date: May 1, 1997
ISBN: 1-888363-43-6
Page Count: 224
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1997
BOOK REVIEW
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