by John Keegan Richard Holmes ‧ RELEASE DATE: March 1, 1986
A companion piece to an upcoming BBC TV series of the same title from the authors of, respectively, Six Armies in Normandy and Acts of War. The profusely and imaginatively illustrated text represents a contribution to the bloody, hellish history of war, primarily for its compassionate appreciation of the battlefield experience. Keegan and Holmes (both members of the Sandhurst faculty) eschew a strictly chronological approach, canvassing instead the evolution of weapons and their users. According to the authors, soldiers—warriors who fight for pay—"are comparative latecomers to the field of human conflict." Among the survivors of this exacting trade, they point to the infantryman whose ancestry includes Mesopotamian spear carriers, Roman legionnaires, French poilus, and American GIs. Foot soldiers have endured down through the ages to fight in Vietnam, the Falklands, and Afghanistan. Their mounted counterparts, Keegan and Holmes show, have proved more vulnerable. Horsemen dominated the world's battlegrounds for many centuries, and Russia's Marshal Koniev had six divisions under his command during the final stages of WW II. But muskets, then cannon and machine guns have long since limited cavalry's role. Eventually, tankers became the military's mobile strike force; in turn, however, their tactical utility has been curbed by the march of technology which produced fragmentation warheads "dispensed by aerial bomb, missile, and artillery shell." In the meantime, the already lethal state of the ordnance art has advanced to the point where latter-day gunners can deliver nuclear as well as high-explosive payloads at intercontinental range, Also covered are the routinely courageous exploits of airmen and combat engineers—"the stagehands of the theatre of operations, without whose brave and laborious efforts armies could scarcely find the means to come to grips with each other." Nor do Keegan and Holmes scant the contributions of rear-echelon supply specialists who attend to logistics and of commanders whose awful responsibility it is to be both wise and bold in the expenditure of life. In addition to detailing the many ways in which man has done battle, the authors bear constant witness to the high price of armed conflict. Their humane regard for both victims and victors is explicit in a separate chapter on casualties, which tells graphic terms just how dreams of glory can end in gore. A thoughtful, focused study of warfare, brimful of front-line insights and intelligence.
Pub Date: March 1, 1986
ISBN: 1568521103
Page Count: 288
Publisher: Viking
Review Posted Online: Oct. 13, 2011
Kirkus Reviews Issue: Feb. 15, 1986
Share your opinion of this book
More by John Keegan
BOOK REVIEW
by John Keegan
BOOK REVIEW
by John Keegan
BOOK REVIEW
by John Keegan
by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
Share your opinion of this book
More by E.T.A. Hoffmann
BOOK REVIEW
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
BOOK REVIEW
by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
Share your opinion of this book
More by Ludwig Bemelmans
BOOK REVIEW
developed by Ludwig Bemelmans ; illustrated by Steven Salerno
BOOK REVIEW
by Ludwig Bemelmans ; illustrated by Steven Salerno
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.