by John Keegan Richard Holmes ‧ RELEASE DATE: March 1, 1986
A companion piece to an upcoming BBC TV series of the same title from the authors of, respectively, Six Armies in Normandy and Acts of War. The profusely and imaginatively illustrated text represents a contribution to the bloody, hellish history of war, primarily for its compassionate appreciation of the battlefield experience. Keegan and Holmes (both members of the Sandhurst faculty) eschew a strictly chronological approach, canvassing instead the evolution of weapons and their users. According to the authors, soldiers—warriors who fight for pay—"are comparative latecomers to the field of human conflict." Among the survivors of this exacting trade, they point to the infantryman whose ancestry includes Mesopotamian spear carriers, Roman legionnaires, French poilus, and American GIs. Foot soldiers have endured down through the ages to fight in Vietnam, the Falklands, and Afghanistan. Their mounted counterparts, Keegan and Holmes show, have proved more vulnerable. Horsemen dominated the world's battlegrounds for many centuries, and Russia's Marshal Koniev had six divisions under his command during the final stages of WW II. But muskets, then cannon and machine guns have long since limited cavalry's role. Eventually, tankers became the military's mobile strike force; in turn, however, their tactical utility has been curbed by the march of technology which produced fragmentation warheads "dispensed by aerial bomb, missile, and artillery shell." In the meantime, the already lethal state of the ordnance art has advanced to the point where latter-day gunners can deliver nuclear as well as high-explosive payloads at intercontinental range, Also covered are the routinely courageous exploits of airmen and combat engineers—"the stagehands of the theatre of operations, without whose brave and laborious efforts armies could scarcely find the means to come to grips with each other." Nor do Keegan and Holmes scant the contributions of rear-echelon supply specialists who attend to logistics and of commanders whose awful responsibility it is to be both wise and bold in the expenditure of life. In addition to detailing the many ways in which man has done battle, the authors bear constant witness to the high price of armed conflict. Their humane regard for both victims and victors is explicit in a separate chapter on casualties, which tells graphic terms just how dreams of glory can end in gore. A thoughtful, focused study of warfare, brimful of front-line insights and intelligence.
Pub Date: March 1, 1986
ISBN: 1568521103
Page Count: 288
Publisher: Viking
Review Posted Online: Oct. 13, 2011
Kirkus Reviews Issue: Feb. 15, 1986
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by Ozzy Osbourne with Chris Ayres ‧ RELEASE DATE: Jan. 25, 2010
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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