by John Keegan ‧ RELEASE DATE: June 1, 2001
Keegan aficionados will prefer his larger-scale chronicles and analyses, but neophytes will savor these exquisitely crafted...
Short, graceful ruminations from one of our greatest military historians on the ugliest of topics: the nature and impact of armed conflict.
Unlike the epic histories for which he is best known, Keegan (The First World War, 1999, etc.) fashioned these essays for delivery over the BBC as the 1998 Reith Lectures. Yet, though his medium is different, he speaks in the same assured voice, with absolute command of his material and respect for the awful gravity of his subject. He concentrates not on stories but five themes: war’s impact on the modern world, its origins, relation to the state, effect on the individual, and prospects for its abolition. The development of agriculture, he infers from archaeological evidence, may have led to defenses against roaming hunters. War’s very savagery led men to agonize over its morality, and eventually elaborate rules governing its conduct were created—notably by Christianity (which required penance for shedding a fellow Christian’s blood) and Islam (whose holy book forbade violence against all who submitted to Muslim rule). Only in the 19th century did war become a feared mass killer, following the Civil War and the Clausewitz dictum that war is the continuation of politics by other means (which Keegan charges with “polluting civilized thought about how wars could and should be fought”). The author grounds his overarching theories with some particularly vivid anecdotes. A telegraph boy on a bicycle, he notes in one searing image, became an “omen of terror” for parents and wives during the two world wars, for he frequently brought news of the death of sons and husbands in the armed forces. Although pessimistic about the possibility of ending war completely, Keegan believes that fears of the horrors of the last century will result in war’s ebbing as a destructive force. To that end, he urges restricting the distribution and production of cheap arms such as the mass-produced assault rifle.
Keegan aficionados will prefer his larger-scale chronicles and analyses, but neophytes will savor these exquisitely crafted miniatures.Pub Date: June 1, 2001
ISBN: 0-375-70520-1
Page Count: 112
Publisher: Vintage
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2001
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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