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WHAT DO YOU DO IF YOUR HOUSE IS A ZOO?

A funny, lighthearted story sure to appease everyone, animal lovers or not.

A school-age boy wants to get a pet but can’t decide what kind.

When Oscar finally gets permission from his parents to get a pet, he doesn’t know which one to get. He put out an advertisement and receives an avalanche of letters from a vast range of animals ranging from Goldie the goldfish to Walter the whale. The animals even start coming to Oscar’s house, but most of them are not interested in playing with Oscar. With Oscar’s house so full, the family must sleep in their backyard. A final prank by Space Monkey Boo-Boo causes Oscar’s mom to lose her temper and send all the animals away. When the family moves back into their house, Oscar discovers one missed letter from Rufus, a dog who promises to always love Oscar and be his best friend. Told in first person by Oscar, the story is simple but quite funny. It may be a tad on the complicated side for very young readers, and readers looking for an overt moral are unlikely to find one. Veteran Laberis’ digitally created illustrations are neat, displaying the expressions of the family and the animals exquisitely. Oscar is a brown-skinned, biracial boy, with a white dad and brown-skinned, black-haired mom.

A funny, lighthearted story sure to appease everyone, animal lovers or not. (Picture book. 4-8)

Pub Date: Sept. 1, 2018

ISBN: 978-1-84869-949-6

Page Count: 32

Publisher: Tiger Tales

Review Posted Online: July 15, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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HOME

Visually accomplished but marred by stereotypical cultural depictions.

Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”

Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.

Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)

Pub Date: Feb. 24, 2015

ISBN: 978-0-7636-6529-6

Page Count: 40

Publisher: Candlewick

Review Posted Online: Nov. 17, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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NOAH CHASES THE WIND

An invitation to wonder, imagine and look at everything (humans included) in a new way.

A young boy sees things a little differently than others.

Noah can see patterns in the dust when it sparkles in the sunlight. And if he puts his nose to the ground, he can smell the “green tang of the ants in the grass.” His most favorite thing of all, however, is to read. Noah has endless curiosity about how and why things work. Books open the door to those answers. But there is one question the books do not explain. When the wind comes whistling by, where does it go? Noah decides to find out. In a chase that has a slight element of danger—wind, after all, is unpredictable—Noah runs down streets, across bridges, near a highway, until the wind lifts him off his feet. Cowman’s gusty wisps show each stream of air turning a different jewel tone, swirling all around. The ribbons gently bring Noah home, setting him down under the same thinking tree where he began. Did it really happen? Worthington’s sensitive exploration leaves readers with their own set of questions and perhaps gratitude for all types of perspective. An author’s note mentions children on the autism spectrum but widens to include all who feel a little different.

An invitation to wonder, imagine and look at everything (humans included) in a new way. (Picture book. 4-8)

Pub Date: April 14, 2015

ISBN: 978-1-60554-356-7

Page Count: 32

Publisher: Redleaf Lane

Review Posted Online: Feb. 2, 2015

Kirkus Reviews Issue: Feb. 15, 2015

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