by John L. Lynch ‧ RELEASE DATE: Oct. 1, 2018
A respectful, Islamophobia-free take on Muslim thought and culture in a sci-fi setting that also delivers shock-and-awe...
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On a planet settled by colonists from Earth’s Muslim cultures (whose true history has receded into myth), young soldiers in “New Persia” find their incipient romances—and lives—jeopardized by impending war.
Lynch (Endemic, 2018) isn’t alone in imagining Islam, or something very much akin to it, flourishing in deep space; Frank Herbert’s Dune (1965) should come to mind straightaway. But Lynch’s vision centers more on the rigid codes and intrigues of conservative Bahá'í culture rather than monster sandworms. In ancient times, a distant planet with a twin-star system was settled principally by colonists/refugees from Earth’s Muslim peoples (the true history of those spacefaring days has receded into near myth). A thousand years after the early, arduous days of establishing a human foothold, the planet’s single continent hosts technology, folkways, and politics approximating those of the mid-20th-century Middle East (minus Israel). Imperial ambitions and religious divisions have arisen between the colonists’ descendants—who have established an Iranian New Persia and a Bantu-speaking North African/Arab nation of Azania—resulting in a series of wars. Talky opening chapters set the stage at a New Persian royal ball, with humble-born Capt. Basir Turani and his cousin, fighter pilot Farad Hashemi, becoming entangled in budding romances complicated by strict laws governing conduct. Basir catches the fascination of rebellious aristocrat Suri Pahlavi, who chafes at her restricted existence (one character notes: “Persian women were taught to fear men from an early age. Everything about their society was designed to protect women. Everything betrayed a deep anxiety about what would happen if men and women were free to meet”). Farad is attracted to Nasrin Avesta, from a family still tainted by association with an attempted coup against the monarchy. After that, however, the formal narrative transitions from Tolstoy to Tom Clancy. Basir and Farad head for their assignment—a border city that immediately becomes a key battleground in the latest Azanian attack. In Lynch’s novel, tank, air and ground skirmishes are crisply described while the background threat of a seasonal alien natural disaster, a fiery biochemical “seed storm,” supplies what often comes across as a token sci-fi quotient. Alternative-history fans are the ideal readership. Many readers may also appreciate (especially in the post–9/11 era) Lynch’s sympathetic portrayal of Islamic values and mores in a nuanced, layered world. In fact, we are told, the imperiled border town of Kerman predates most of New Persia and operates by its own liberal and progressive rules, and even Persepolis, the capital, tolerates Christians and nonbelievers. But adherence to dictates of the faith loom large in almost every affair, although the author is not one to criticize shortcomings of theocracy here. While principal plot threads are tied up at the end, it’s clear (even without the subtitle) this is just the promising beginning of a larger “New Persia” saga.
A respectful, Islamophobia-free take on Muslim thought and culture in a sci-fi setting that also delivers shock-and-awe combat action.Pub Date: Oct. 1, 2018
ISBN: 978-1-61309-641-3
Page Count: 356
Publisher: Wings ePress, Inc.
Review Posted Online: May 17, 2019
Kirkus Reviews Issue: July 1, 2019
Review Program: Kirkus Indie
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BOOK REVIEW
by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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by Paulo Coelho ; illustrated by Christoph Niemann ; translated by Margaret Jull Costa
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by Paulo Coelho ; translated by Eric M.B. Becker
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by Paulo Coelho ; translated by Zoë Perry
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SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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