A well-told tale of galactic problem-solving and command-chair decision-making.
A battle-damaged spaceship belonging to much-feared alien warriors accidentally trespasses near a human outpost in this continuation of Lallier’s Solar Commonwealth SF series.
This military space adventure is set 20 years after the previous series installment, The Eridani Incident(2019). Jason Ngene is a high-ranking officer in Earth’s spacefaring forces, returning with his imposing Regent for a ceremonial visit to an inhabited planet where humans fought and won a skirmish with aggressive, catlike aliens called the Feorae. It was a rare alien interaction for Homo sapiens, who are merely junior members of a loose Solar Commonwealth of inhabited worlds, most of which are far more advanced than Earth. Still, many in the commonwealth still grieve the hundreds of lives lost in the battle. Meanwhile, an odd failure of life-support systems aboard patrol ships has left the distant human colony of Tellus vulnerable, and a battle-crippled Feorin ship, requiring repairs, unknowingly comes too close to the outpost. Alerts go off throughout the fleet, with some Feorae-hating officers spoiling for a revenge fight and others fighting to avert what could touch off a cataclysmic war. Lallier appears to acknowledge his clear debt to the Star Trek franchise with his dedication (“For James T.”) and a minor medical character with the surname Chapel. One can easily hear the voice of actor Patrick Stewart whenever the Jean-Luc Picard–like Regent speaks. However, this is no carbon copy of other people’s works. Unlike Gene Roddenberry’s smoothly functioning Federation and its ideal of enlightened starship troopers cooperating in military and scientific harmony, Lallier depicts a restive, divided mankind, with commanders and bureaucrats jostling for rank and power while harboring personal grudges. The author also generates some sympathy for the Feorae, whose captain is wise enough to run his ship of clawed minions with Klingon-like honor rather than arbitrary cruelty. Ultimately, this is a solid follow-up that bodes well for future installments in the series.
A well-told tale of galactic problem-solving and command-chair decision-making.Pub Date: April 18, 2020
ISBN: N/A
Page Count: 345
Publisher: Self
Review Posted Online: Oct. 1, 2020
Kirkus Reviews Issue: Nov. 15, 2020
Review Program: Kirkus Indie
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BOOK REVIEW
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PERSPECTIVES
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...
Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.
The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.Pub Date: Jan. 6, 2015
ISBN: 978-0-345-53981-6
Page Count: 448
Publisher: Del Rey/Ballantine
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
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